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Especially evident in Victorian-era writings is a rhetorical tendency to liken adults to children and children to adults. Claudia Nelson examines this literary phenomenon and explores the ways in which writers discussed the child-adult relationship during this period. Though far from ubiquitous, the terms “child-woman,” “child-man,” and “old-fashioned child” appear often enough in Victorian writings to prompt critical questions about the motivations and meanings of such generational border crossings. Nelson carefully considers the use of these terms and connects invocations of age inversion to developments in post-Darwinian scientific thinking and attitudes about gender roles, so...
Invisible Men focuses on the tremendous growth of periodical literature from 1850 to 1910 to illustrate how Victorian and Edwardian thought and culture problematized fatherhood within the family. Drawing on political, scientific, domestic, and religious periodicals, Claudia Nelson shows how positive portrayals of fatherhood virtually disappeared as motherhood claimed an exalted position with imagined ties to patriotism, social reform, and religious influence. The study begins with the pre-Victorian role of the father in the middle-class home--as one who led the family in prayer, administered discipline, and determined the children's education, marriage, and career. In subsequent decades, fatherhood was increasingly scrutinized while a new definition of motherhood and femininity emerged. The solution to the newly perceived dilemma of fatherhood appeared rooted in traditional feminine values--nurturance, selflessness, and sensitivity. The critique presented in Invisible Men extends our contemporary debate over men's proper role within the family, providing a historical context for the various images of fatherhood as we practice and dispute them today.
The Victorians were passionate about family. While Queen Victoria's supporters argued that her intense commitment to her private life made her the more fit to mother her people, her critics charged that it distracted her from her public responsibilities. Here, Nelson focuses particularly on the conflicting and powerful images of family life that Victorians produced in their fiction and nonfiction—that is, on how the Victorians themselves conceived of family, which continues both to influence and to help explain visions of family today. Drawing upon a wide variety of 19th-century fiction and nonfiction, Nelson examines the English Victorian family both as it was imagined and as it was exper...
The Feminine Ethic and British Children's Fiction
A NEW COMPANION TO VICTORIAN LITERATURE AND CULTURE The Victorian period was a time of rapid cultural change, which resulted in a huge and varied literary output. A New Companion to Victorian Literature and Culture offers experienced guidance to the literature of nineteenth-century Britain and its social and historical context. This revised and expanded edition comprises contributions from over 30 leading scholars who, approaching the Victorian epoch from different positions and traditions, delve into the unruly complexities of the Victorian imagination. Divided into five parts, this new Companion surveys seven decades of history before examining the key phases in a Victorian life, the leading professions and walks of life, the major literary genres, the way Victorians defined their persons, homes, and national identity, and how recent “neo-Victorian” developments in contemporary culture reconfigure the sense we make of the past today. Important topics such as sexuality, denominational faith, social class, and global empire inform each chapter’s approach. Each chapter provides a comprehensive bibliography of established and emerging scholarship.
Learn essential life lessons from a woman who refused to be a victim and discovered her true self while putting two notorious con men behind bars. No one could be prepared for the shock that Claudia Nelson faced when she learned that a Ponzi scheme had taken her entire life savings. But she refused to be a victim, and after digging deep within herself to find her true power and determination, Claudia helped hunt down and bring those responsible to justice. In light of her efforts, Forbes Magazine writer Dirk Smillie Sr., called her the “best gumshoe vigilante I have ever met.” In Rising from the Ashes, the acclaimed personal empowerment specialist shares her story of personal justice. Sh...
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Maternal Instincts brings together seven new essays exploring conflicting visions of motherhood and sexuality in a period during which both terms were undergoing radical change. Representations of both concepts mutated to accommodate different cultural contexts and individual ideologies. Drawing upon sources including literature, film, medical handbooks, popular science, and legal records, the articles collected here construct a vision of motherhood as alternately idealized, discredited, and fragmented by virtue of its connection with sexualities licit and illicit.
The eleven contributors to The Girl's Own explore British and American Victorian representations of the adolescent girl by drawing on such contemporary sources as conduct books, housekeeping manuals, periodicals, biographies, photographs, paintings, and educational treatises. The institutions, practices, and literatures discussed reveal the ways in which the Girl expressed her independence, as well as the ways in which she was presented and controlled. As the contributors note, nineteenth-century visions of girlhood were extremely ambiguous. The adolescent girl was a fascinating and troubling figure to Victorian commentators, especially in debates surrounding female sexuality and behavior. T...
Ellie learns that changing her thinking can change her feelings and her life. When the idea catches on, it changes families, communities, and can even change the world!