You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Praise for Claudia Piñeiro's Thursday Night Widows: "An agile novel, a ruthless dissection of a fast decaying society." José Saramago, winner of the Nobel Prize for Literature A gripping story. The dystopia portrayed is an indictment not solely of an assassin but of Argentina's class structure and the willful blindness of its petty bourgeoisie." The Times Literary Supplement A fine morality tale which explores the dark places societies enter when they place material comfort before social justice, and security before morality." Publishers Weekly Ines is convinced that every wife is bound to be betrayed one day, so she is not surprised to find a note in her husband Ernesto's briefcase with a...
Pablo Borla's marriage is reduced to confrontations with his wife over their daughter's rebellious ways and his firm builds only repellent office blocks destroying the fabric of old Buenos Aires. It all changes with the arrival of a young woman who brings to light a murder committed decades ago by those in his office. A murder everyone assumed was forgotten. Claudia Piñeiro, after working as a professional accountant, became a journalist, playwright and television scriptwriter and in 1992 won the prestigious Pléyade journalism award. She has more recently turned to fiction; All Yours (finalist for the 2003 Planeta Prize) and Thursday Night Widows.
SHORTLISTED for the International Booker Prize 2022 After Rita is found dead in a church she used to attend, the official investigation into the incident is quickly closed. Her sickly mother is the only person still determined to find the culprit. Chronicling a difficult journey across the suburbs of the city, an old debt and a revealing conversation, Elena Knows unravels the secrets of its characters and the hidden facets of authoritarianism and hypocrisy in our society.
From the author of Elena Knows , finalist for the 2022 International Booker Prize 20 years after a shocking accident, Mary Lohan returns to the Buenos Aires suburb she escaped in a fugue of guilt and isolation. She is not the same—not her name or voice, not even the color of her eyes. The neighborhood looks different too, but she’s still the same woman and it’s still the same place, and as the past erupts into view, they slowly collide. A Little Luck is the story about the debilitating weight of lies, the messy line between bravery and cowardice, and the tragedies, big and small, that can ripple out from a single decisive event. In a place she had determined to forget forever, both anticipated encounters and unanticipated revelations show her, and us, that sometimes life is neither fate nor chance: perhaps it’s nothing more than a little luck.
"An agile novel written in a language perfectly pitched for the subject matter, a ruthless dissection of a fast decaying society"—José Saramago, Nobel Prize winner The English translation of hit novel Las Viudas de Los Jueves! “Piñeiro’s clever U.S. debut.. . illuminates the hypocrisies of the country's upper classes after 9/11.”—Publishers Weekly “Piñeiro is particularly skilful at exposing the social forces undermining Argentine society, and the fragility of personal relationships. We learn the surprising truth of the three men’s death in the final chapter; the build-up to it is riveting.”—The Times (London) "Piñeiro builds up tension through banal, domestic details a...
Not for nothing is Claudia Piñeiro Argentina's most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism." Times-London "Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Piñeiro does." Booklist The fourth novel from Claudia Piñeiro, South America's best-selling crime novelist. When a renowned Buenos Aires industrialist is found dead at his home in an exclusive gated community called La Maravillosa, the novelist Nurit Iscar (once nicknamed Betty Boo owing to a resemblance to the cartoon character Bet...
Eoin McNamee's re-imagining of evidence in this case mingles fact and fiction. The result is a thriller and a novel of savage murder and false accusation, of corruption, conspiracy and the most sinister of family secrets.
This book identifies and interrogates some of the principal developments in contemporary Latin American crime fiction. Covering Argentina, Chile, Colombia, Costa Rica, Cuba, Mexico and Venezuela, the authors investigate how the crime scene critiques issues such as injustice, discrimination, neoliberalism, violence, identity, corruption, and memory.
Winner of 2011 Balcones Fiction Prize The stories in Katherine Karlin's debut collection encompass an unusually broad range of experience - refinery workers mourn a colleague's death; a struggling young woman in post-Katrina New Orleans persuades a welder to teach her his trade; an idealistic aerobics instructor decamps for Nicaragua to pick coffee. In each of these stories, Karlin offers rare insight into the place of work in the lives of women, her narrators keenly observant and attuned the humor arising from the gap between life as they imagine it and as it's really lived. But even more remarkable is the fullness with which she renders characters who, once we meet them, make us wonder how they've escaped the notice of other writers.
Crime & Thriller Book of the Year (Specsavers National Book Awards) Longlisted for the Man Booker Prize 2018. 'The best crime novel I've read in a very long time.' VAL MCDERMID SNAP DECISIONS CAN BE DANGEROUS . . . On a stifling summer's day, eleven-year-old Jack and his two sisters sit in their broken-down car, waiting for their mother to come back and rescue them. Jack's in charge, she'd said. I won't be long. But she doesn't come back. She never comes back. And life as the children know it is changed for ever. Three years later, Jack is still in charge - of his sisters, of supporting them all, of making sure nobody knows they're alone in the house, and - quite suddenly - of finding out th...