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Manifesta 4
Published on the occasion of Manifesta 4 - European Biennial of Contemporary Art, 25 May -25 Aug 2002, Frankfurt/Main.
Shadows and signals
None
Gil J Wolman
The French artist Gil J Wolman (1929-1995) was a pioneer in researching the intersection and alteration of visual and textual languages. This show, the first monographic exhibition of Wolman's work ever held in Spain, consists of about 250 works and documents, from L'Anticoncept (1951) to Voir de memoire (1995). It includes the artist's most important and fertile pieces, some of them never before exhibited."
Nancy Spero
Nancy Spero (born in Cleveland, Ohio, 1926) is a pioneer of feminist art and a key figure in the new York protest scene of the 1960s and 70s, as highly regarded as famed artists Martha Rosler and Adrian Piper. With a career spanning over 50 years, Spero continues even today to engage, questoin, and defy our current political, social and cultural scene. her work has recently been exhibited throughout the US and Europe, including the last edition of the Venice Biennial. This book focuses on the artist's search to create her own language, featuring the best of her work, from early student works on paper to her latest presentation at the Venice Biennial. --
Jon Mikel Euba: Kill'em All
Nos ofrece la obra de este joven artista.
Public Photographic Spaces
This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
Timelines
La exposición de Joan Jonas, artista pionera en la práctica de la performance, el cine experimental y la instalación de vídeo, plantea una lectura de su trabajo que pone en relación su práctica performativa con el origen de la instalación de vídeo como género. Presenta cuatro instalaciones representativas de su trayectoria junto con una serie de películas, vídeos monocanal, dibujos y fotografías. La obra de Jonas se caracteriza por conjugar una formulación tecnológica con una compleja orientación conceptual, meditativa y deudora de las corrientes premodernas, vinculadas a la visión romántica de la naturaleza, a la poesía anglosajona de final del siglo XIX, a los rituales y lo sagrado, permaneciendo fiel a un sistema de expresión y a una temática coherentes entre sí, hasta tal punto que las diferentes instalaciones y vídeos que ha producido desde los primeros años setenta hasta la actualidad parecen responder a un único programa.
