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Introduction -- American Girls and National Identity -- Fighting Femininity on Home Soil in Civil War Films, 1908 to -- American Revolution and Other Wars -- Featuring Preparedness and Peace; or, America and the European War, Part I -- From Serial Queens to Patriotic Heroines; or, America and the European War, Part II -- The American Girl and Wartime Patriotism -- Conclusion.
Bugger, rooted, bloody oath... What is it about Australians and swearing? We've got an international reputation for using bad language (Where the bloody hell are ya?) and letting rip with a choice swear word or two has long been a very Aussie thing to do. From the defiant curses of the convicts and bullock drivers to the humour of Kath and Kim, Amanda Laugesen, director of the Australian National Dictionary Centre, takes us on a fascinating journey through the history of Australia's bad language to reveal our preoccupations and our concerns. Bad language has been used in all sort of ways in our history: to defy authority, as a form of liberation and subversion, and as a source of humour and ...
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popul...
American History through Hollywood Film offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. Chapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.
This book explores how humorous depictions of the Great War worked to familiarise, domesticate, and tame the conflict. While well-known examples of First World War literature often emphasize enormous emotional disruption and the war’s extremes, other writers used humour to encourage a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. In humorous portrayals of the war, tameness outdoes the unmanageable and the temperate exceeds the extraordinary. Humour in British First World War Literature is based on little-known primary material uncovered from detailed archival research, as well as works that, though written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry to theatre and periodicals, in doing so investigating the complex representational, political, and social significance of the tame strand in humorous Great War literature.
Music in all its forms was an indispensable part of everyday life in Britain's armed forces during the Great War.
While Western films can be seen as a mode of American exceptionalism, they have also become a global genre. Around the world, Westerns exemplify colonial cinema, driven by the exploration of racial and gender hierarchies and the progress and violence shaped by imperialism. Transnationalism and Imperialism: Endurance of the Global Western Film traces the Western from the silent era to present day as the genre has circulated the world. Contributors examine the reception and production of American Westerns outside the US alongside the transnational aspects of American productions, and they consider the work of minority directors who use the genre to interrogate a visual history of oppression. B...
Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost defending the nation from the Central Powers. It is no surprise that the impact of the First World War can still be seen in French films into the present day. French Cinema and the Great War: Remembrance and Representation provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films...
This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I. Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple’s changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values. By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships. This study offers an unprecedented perspective on one couple’s sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.
This edited book includes chapters that explore the impact of war and its aftermath in language and official discourse. It covers a broad chronological range from the First World War to very recent experiences of war, with a focus on Australia and the Pacific region. It examines three main themes in relation to language: the impact of war and trauma on language, the language of war remembrance, and the language of official communications of war and the military. An innovative work that takes an interdisciplinary approach to the themes of war and language, the collection will be of interest to students and scholars across linguistics, literary studies, history and conflict studies.