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Longlisted for the 2016 OCM Bocas Prize for Poetry "The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism." --O, the Oprah Magazine One of LargeUp's Ten Great Books by Caribbean Authors in 2015 "Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry....Channer's lyrics pop and reel in sheer musicality....A dextrous, ambitious collection that delivers enough acoustic acrobatics to ke...
Jamaica's literary lion Colin Channer presents new fiction from the freshest young Jamaican authors and the Calabash International Literary Festival's Extended Family.
Robert Pinsky and Derek Walcott anchor this groundbreaking, soulful poetry collection. Imagine a night of a hundred poets reading their work to an audience of intensely engaged, responsive, and lively people—say three thousand of them. They are a loud bunch when it is time to make noise, but they are silent as congregants at prayer when the poets’ language entrances them. Imagine the reading taking place under a tent pitched on a grassy lawn that overlooks the Caribbean Sea. Imagine that this is not the north coast of Jamaica, with its cliche of white sands and coconut trees, a place glutted with cruise ship passengers and bewildered tourists; imagine instead a rugged coastline, a landsc...
Spanning the early 1900s up to modern times, this collection of stories traces the intersecting lives of travelers, expatriates and local folks on a fictional Caribbean Island.
It is commonly assumed that Caribbean culture is split into elite highbrow culture--which is considered derivative of Europe--and authentic working-class culture, which is often identified with such iconic island activities as salsa, carnival, calypso, and reggae. This book recovers a middle ground, a genuine popular culture in the English-speaking Caribbean that stretches back into the nineteenth century. It shows that popular novels, beauty pageants, and music festivals are examples of Caribbean culture that are mostly created, maintained, and consumed by the Anglophone middle class. Much of middle-class culture is further gendered as "female": women are more apt to be considered recreational readers of fiction, for example, and women's behavior outside the home is often taken as a measure of their community's respectability. The book also highlights the influence of American popular culture, especially African American popular culture, as early as the nineteenth century.
From the national bestselling author of Waiting in Vain and Satisfy My Soul comes a sexy, witty collection of connected stories set on San Carlos, a tiny island with an old volcano in the Caribbean Sea. Spanning the early 1900s up to modern times, the stories trace the intersecting lives of travelers, expatriates, and local folks in ways that shock, illuminate, and reveal. From the American photographer who finds her world disturbed by new forms of love and lust, to a charismatic priest confronted by the earthly perks of fame and stardom, the diverse mix of characters are united by the universal search for love and understanding—a challenge on an island simmering with issues of politics, p...
I have called you here to reveal to you a truth that has been calling to you for many years. . . . Since then your soul has been seeking rest. Playwright Carey McCullough is a close guardian of his privacy, haunted by a recurring dream and a damaged past he would like to keep there. But some things he can never forget. And the more he pushes them away, the more uprooted he feels. The women he has loved, lusted after, rejected, and embraced represent a lifetime of trial and error, adventure and compromise. Then, while in Jamaica, he crosses paths with a radiant woman who attracts him like a flame. Then he remembers. The first time Carey saw Frances, she was singing a blues song on a videotape...
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distrib...
Phonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the work of Lawrence Scott, Oscar Hijuelos, Colin Channer, Daniel Maximin, and Ramabai Espinet, Njelle Hamilton tunes in to each novel’s soundtrack while considering the broader listening cultures that sustain collective memory and situate Caribbean subjects in specific localities. These “musical fictions” depict Caribbean people turning to calypso, bolero, reggae, gwoka, and dub to record, retrieve, and replay personal and cultural memories. Offering a fresh perspective on musical nationalism and nostalgic memory in the era of globalization, Phonographic Memories affirms the continued importance of Caribbean music in providing contemporary novelists ethical narrative models for sounding marginalized memories and voices. Njelle W. Hamilton's Spotify playlist to accompany Phonographic Memories: https://spoti.fi/2tCQRm8
Bringing together an extraordinary collection of eighteen passionate original stories of red hot erotica, this provocative book explores the diversity and richness of the black sexual experience. Written by today's brightest black writers - including Colin Channer, John A. Williams, Arthur Flowers, Clarence Major and Kelvin Christopher James, these candid and lyric stories, set against romantic backdrops such as Mexico, the South Seas Islands, New Orleans and the Caribbean, become heated dances of passion and intimacy that will titillate, inform and arouse.