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The Myth of Metaphor
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Works on Vision
George Berkeley's three accounts of vision: the Essay, the account in the fourth dialogue of Alciphron, and Visual Language are presented with a commentary by Colin Murray Turbayne.
Metaphors for the Mind
Turbayne analyzes the significance of metaphor in human thought by exploring historical traditions of philosophy. Probing into the early philosophies of Plato and Aristotle, Turbayne traces the influence that Platonic metaphors have held for later important philosophers such as Berkeley and Kant. By showing how modern theories of human thought and language (including the substance and attribute theory) arose from the procreation model as presented in Plato's Timaeus, Turbayne makes a contribution to the current philosophical debates concerning relativist/realist. In the discussion, the author restores the model to its original state in which the female and male hemispheres of the mind work as partners to create our world.
Berkeley
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The Moral Philosophy of George Berkeley
Upon the whole, I am inclined to think that the far greater part, if not all, of those difficulties which have hitherto amused philosophers, and blocked up the way to knowledge, are entirely owing to our selves. That we have 1 first raised a dust, and then complain, we cannot see. . . . there are some passages that, taken by themselves, are very liable (nor could it be remedied) to gross misinterpretation, and to be charged with most absurd consequences, which, nevertheless, upon an entire perusal will 2 appear not to follow from them. In an effort to comply with these excellent principles of Berkeley's, I have tried to avoid complex language throughout this book, and to give all of his work...
Berkeley’s Philosophy of Science
Philonous: You see, Hylas, the water of yonder fountain, how it is forced upwards, in a round column, to a certain height, at which it breaks and falls back into the basin from whence it rose, its ascent as well as descent proceeding from the same uniform law or principle of gravitation. Just so, the same principles which at first view, lead to skepticism, pursued to a certain point, bring men back to common 1 sense. Although major works on Berkeley have considered his Philosophy of 1 George Berkeley, Three Dialogues Between Hylas and Philonous, ed. Colin Murray Turbayne, (third and final edition; London 1734); (New York: The Bobbs Merrill Company, Inc., Library of Liberal Arts, 1965), p. 211. Berkeley, in general, conveniently numbered sections in his works, and in the text of the essay, we will refer if possible to the title and section number. References to the Three Dialogues Between Hylas and Philonous will be also made in the text and refer to the dialogue number and page in the Turbayne edition cited above.
The Veil of Signs
How does perception operate in James Joyce's fiction? This question is addressed from a unique perspective in "The Veil of Signs." Sheldon Brivic uses the theories of Jacque Lacan to create a radically new concept of the mechanics of mental life in the novels, including "Ulysses" and "Finnegans Wake." This is the first book to make use of Lacan's writings and seminars on Joyce.
A Bastard Kind of Reasoning
What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry—the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and subst...
Sculpture
"The eye that gathers impressions is no longer the eye that sees a depiction on a surface; it becomes a hand, the ray of light becomes a finger, and the imagination becomes a form of immediate touching."—Johann Gottfried Herder Long recognized as one of the most important eighteenth-century works on aesthetics and the visual arts, Johann Gottfried Herder's Plastik (Sculpture, 1778) has never before appeared in a complete English translation. In this landmark essay, Herder combines rationalist and empiricist thought with a wide range of sources—from the classics to Norse legend, Shakespeare to the Bible—to illuminate the ways we experience sculpture. Standing on the fault line between c...
