You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Red Hands is a deeply compelling tale of a woman caught inside the destruction of a regime. Iordana is a normal girl, brought up with all the perks of Romania's corrupt communist regime. Then she falls in love and marries the eldest son of her parents' arch-rival, Romania's monstrous dictator Nicolae Ceausescu. They become the in-laws from hell, but she brings them their only grandson. And then there's the 1989 revolution, when crowds will kill anyone with the Ceausescu name. In all the blood and chaos, can Iordana keep her little son alive? Drawn from eighty hours of unique interviews and told in Iordana's own voice; a true-life tale that spins readers into the pleasures, excesses and horrors of late twentieth-century Europe.
Runner up: 2016 New England Book Festival Award, General Fiction This book does for 1920s Boston what E.L. Doctorow did for New York in Ragtime: it grabs a city out of history, mixes in some fiction and makes it vivid. Be it the high style of Boston's Parker House Hotel; the flagrant, fragrant set who dance attendance on the poet Amy Lowell; the scientists and shipbuilders and politicians and utter rogues who raise the city from the dirt; it all mmers into reality as an outsider leads us into its quaking heart. Raffi, a young Italian, is our guide. He left more than his country behind in Rome. Snipped by a bishop as the last castrato, he is bundled off to America when the Church takes shame. Forbidden to use his voice, other skills steal him into the society of 1920s Boston. Raffi enters the hardest quest of all--the search for a genuine love song.
From the vantage point of the United States or Western Europe, the 1970s was a time of troubles: economic “stagflation,” political scandal, and global turmoil. Yet from an international perspective it was a seminal decade, one that brought the reintegration of the world after the great divisions of the mid-twentieth century. It was the 1970s that introduced the world to the phenomenon of “globalization,” as networks of interdependence bound peoples and societies in new and original ways. The 1970s saw the breakdown of the postwar economic order and the advent of floating currencies and free capital movements. Non-state actors rose to prominence while the authority of the superpowers ...
I am going to write every single day and tell you about my life here in Spitalfields at the heart of London... Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London.
None
Society played a part in the death of my baby brother. The demand for perfection and what was deemed acceptable by our everyday standards helped mold a fragile frame in a young man's mind. The security and resolution I needed was never to be found within the realms of the everyday working world. I learned to reconcile with what you may unfairly call the "ills of society". I found not only resolve, but also harmony within the world, a world that all members of our populace are exposed to in their lives and is part of a culture, even if you chose to ignore it, is one we all live in. I'm not only lucky enough, but also privileged to have been welcomed and accepted in this world, and here their stories will show that this syndicate are of the same making of us all. For me and my brothers none of our heroes wore capes.
None
The tasks of macroeconomics are to interpret observations on economic aggregates in terms of the motivations and constraints of economic agents and to predict the consequences of alternative hypothetical ways of administering government economic policy. General equilibrium models form a convenient context for analyzing such alternative government policies. In the past ten years, the strengths of general equilibrium models and the corresponding deficiencies of Keynesian and monetarist models of the 1960s have induced macroeconomists to begin applying general equilibrium models. This book describes some general equilibrium models that are dynamic, that have been built to help interpret time-se...
'A twisty plot, warm-hearted characters, laughter, secrets and heartbreak - and bursting with fascinating detail' - Annie Murray Stratford, 1943. World War Two is still raging across Europe. But for the Lavender Girls, the workers at the Yardley cosmetics factory in East London, there are even more challenges on the home front. Esther, newly married, is learning to juggle life as a working woman with her duties as a wife and homemaker. And she must find a way to help her adopted family on the Shoot, who are battling their own hidden demons . . . Headstrong Patsy, a new recruit at the Yardley factory, has a double life that takes her from the East End lipstick belt by day to the stage in the West End at night. But will she be able to keep her secrets hidden from her controlling mother, Queenie? For bubbly Lou, a forbidden love forces her to choose between family loyalty and a chance at true happiness. Can she be brave enough to forge her own path in the chaos of a war? One thing is certain: the Lavender Girls need one another more than ever if they are going to survive . . .
Unicorn Mountain, a Mythopoeic Fantasy Award winner for Best Novel, here appears in a re-edited and revised version in Michael Bishop's preferred text some thirty years after its original publication, when it was hailed for its adult focus, its gritty characters and situations, and its imaginative narrative elements, which include ranching in Colorado, Ute Indian lore, a Denver-based advertising firm, Swing Era music, an old Bendix TV set that transmits signals from an askew parallel Earth, and, last but no less disquieting, transdimensional migrations of living unicorns. These four characters dramatically animate Unicorn Mountain: * Elizabeth (Libby) Quarrels: a woman struggling to make a g...