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The Only Magic We Know is a celebration of all the poets Modjaji has published. This anthology offers a taste of the range and diversity of the poems that have appeared in the individual poets collections.
Unlikely is a collection of poems by Colleen Crawford Cousins written over decades of reading and writing poetry. The collection is a distillation of a quiet, powerful voice that is an offering of love in a world and life that has been filled with light and anguish.
Poems of displacement, interactions in a variety of social landscapes, in temporary homes that offer respite and change, and which find solace in the natural world. “My exiled days return to you, nudge my certain landing rush towards your open cosmos eye through gold-reef doorways city deep”. (Homecoming)
The Matopos Hills of Zimbabwe have been occupied by humanity for some 40,000 years. They are the home for a number of shrines, and have become a scene of symbolic, ideological, political and armed conflict between the Shona, Ndebele and Europeans for more than 100 years. Many questions in Matopos history are crucial to the history of Matabeleland as a whole, and some central to the history of Zimbabwe: the right relationship of men and women to the land; the nature of culture; the dynamics of ethnicity; the roots of dissidence and violence; and the historical bases of underdevelopment. North America: Indiana U Press; Zimbabwe: Baobab JOINT WINNER OF THE TREVOR REESE MEMORIAL PRIZE 2001
Inside African Anthropology offers an incisive biography of the life and work of South Africa's foremost social anthropologist, Monica Hunter Wilson. By exploring her main fieldwork and intellectual projects in southern Africa between the 1920s and 1960s, the book offers insights into her personal and intellectual life. Beginning with her origins in the remote Eastern Cape, the authors follow Wilson to the University of Cambridge and back into the field among the Mpondo of South Africa, where her studies resulted in her 1936 book Reaction to Conquest. Her fieldwork focus then shifted to Tanzania, where she teamed up with her husband, Godfrey Wilson. In the 1960s, Wilson embarked on a new urban ethnography with a young South African anthropologist, Archie Mafeje, one of the many black scholars she trained. This study also provides a meticulously researched exploration of the indispensable contributions of African research assistants to the production of this famous woman scholar's cultural knowledge about mid-twentieth-century Africa.
Ndlovu takes us right into the heart of her grief, she allows us into her secret, dark place of the terrible loss of her third child who was stillborn. The book speaks into the silence around this issue. Like miscarriage, stillbirth is something women are supposed to get over and move on with. Invisible Earthquake is placed in the wider South African context by Sue Fawcus, in which she writes tenderly and expertly about stillbirth from the point of view of a medical practitioner, a specialist obstetrician.
A woman reluctantly takes on the responsibility of putting her eccentric rebellious mother into a retirement home, and managing her care. She has her own daughter to raise and nurture, a marriage and a business to hold together, and her own psychological troubles due in good part to how she was mothered. my mother, my madness is Colleen Higgss diary of her mothers last ten years. It is at once funny, harrowing, mundane, chaotic, and full of insight. It is a rich and moving story which unfolds through its characters like a novel.
Colleen Higgs launched Modjaji Books, the first publishing house for southern African women writers, in 2007. Her first collection of poetry, Halfborn Woman, was published in 2004. She lives in Cape Town with her partner and her daughter.