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The Politics of Princely Entertainment
The Politics of Princely Entertainment follows the travels of Lorenzo Onofrio Colonna and Maria Mancini, two of the most active music patrons of seventeenth-century Italy, tracing their influence on music across a rapidly transforming Europe through the singers, composers, and librettists they supported.
Breeder
Saving an ex-wife might get Ross Malone into heaven but he'd have to die to get there, or is that the point? Maggie Warner's significant other wants something from her, bad enough to take it, no matter the cost. Only private detective Ross Malone stands in the way of Maggie paying the ultimate price. Rescuing her means skipping out on a district attorney who likes him for the murder of a local crime boss, even though the surviving daughter hires Ross to find the real killer. Breeder, the latest Ross Malone thriller, will forever leave an indelible mark on the private detective and all he loves. Or is that the point?
Young Choristers, 650-1700
"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.
Echoes of Women's Voices
Harness argues very convincingly that through their patronage of the figurative arts, musical theater, and early opera, the Medici women reinforced their position and their image as powerful women and capable rulers.
Elite Women in Early Modern Catholic Europe
Elite Women in Early Modern Catholic Europe offers a new look at early modern Catholic Europe through the lens of the diverse experiences of elite women, using a historiographical approach to analyze women’s roles through changing political, social, and cultural contexts. Through novel practices and broad social networks, distinguished women assumed prominent roles, from queens and princesses, to aristocrats and great nobles, to women of faith and religion. As the Counter-Reformation and the transition toward Enlightenment ideology swept France, Spain, and Italy, literacy and education became more accessible to upper-class women, who began to create new traditions in place of the old ways that were falling short. The case studies in this volume, ranging from the seventeenth to early nineteenth centuries, uncover the ways in which women were developing leadership skills and preserving status through participation in historical processes that affected real estate, the Church, and the social and family organization across Catholic Europe. This book is an ideal resource for students and researchers studying early modern women and Catholic Europe.
The Ashgate Research Companion to Women and Gender in Early Modern Europe
Over the past three decades scholars have transformed the study of women and gender in early modern Europe. This Ashgate Research Companion presents an authoritative review of the current research on women and gender in early modern Europe from a multi-disciplinary perspective. The authors examine women’s lives, ideologies of gender, and the differences between ideology and reality through the recent research across many disciplines, including history, literary studies, art history, musicology, history of science and medicine, and religious studies. The book is intended as a resource for scholars and students of Europe in the early modern period, for those who are just beginning to explore these issues and this time period, as well as for scholars learning about aspects of the field in which they are not yet an expert. The companion offers not only a comprehensive examination of the current research on women in early modern Europe, but will act as a spark for new research in the field.
The Oxford Handbook of Opera
What IS opera? Contributors to The Oxford Handbook of Opera respond to this deceptively simple question with a rich and compelling exploration of opera's adaption to changing artistic and political currents. Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators. The synergy of power, performance, and identity recurs thematically throughout the volume's major topics: Words, Music, and Meaning; Performance and Production; Opera and Society; and Transmission and Reception. Individual essays engage with repertoire from Monteverdi, Mozart, and Meyerbeer to Strauss, Henze, and Adams in stu...
A Companion to Music in Sixteenth-Century Venice
This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.
Unfinished Music
Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
