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Communism and Culture
This book is a comprehensive introduction to the relationship between communism (understood as an ideological, political, and social project) and culture, broadly defined as the field of aesthetic production. Communism was a global phenomenon, and the global civil war of the 20th century was, in more than one respect, a cultural war, which involved some of the most influential figures of the last century. The book highlights and explains the impact of political mythologies in the effiorts to transcend the “bourgeois” legacies and engage in a social, cultural, and anthropological revolution. The authors examine the interplay between utopian goals and cultural practices in fields such as literature, visual arts, film, and humanities in general.
Reassessing Communism
The thirteen authors of this collective work undertook to articulate matter-of-fact critiques of the dominant narrative about communism in Poland while offering new analyses of the concept, and also examining the manifestations of anticommunism. Approaching communist ideas and practices, programs and their implementations, as an inseparable whole, they examine the issues of emancipation, upward social mobility, and changes in the cultural canon. The authors refuse to treat communism in Poland in simplistic categories of totalitarianism, absolute evil and Soviet colonization, and similarly refuse to equate communism and fascism. Nor do they adopt the neoliberal view of communism as a project ...
New Studies in the Politics
This pathbreaking collection of essays recasts the prevailing conceptions of the historical roots and role of the U.S. Communist Party and its social setting. The contributors focus on the movement that formed around the party and the popular culture it expressed, particularly in the period from 1930 to 1960. They look at the impact of the party and its followers in the areas of education, literature, and the arts, in the African-American community, and on the women's and labor movements. In their preface, the editors place the book in the context of the broader critical examination of the history of the left in the United States. By analyzing the historical reasons for the party's appeal and its relationship to those outside its ranks, the volume contributes to a fuller understanding of the broader societal context within which all oppositional movements are formed. Contributors (in order of appearance in book): Michael E. Brown, Mark Naison, John Gerassi, Stephen Leberstein, Ellen Schrecker, Rosalyn Baxandall, Roger Keeran, Gerald Horne, Annette T. Rubinstein, Marvin E. Gettleman, Alan Wald, and Gil Green (interviewed by Anders Stephanson).
The Oxford Handbook of Communist Visual Cultures
Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.
The Struggle for the Soul of the Nation
The material effects of World War II, in combination with Eastern Europe's disappointingly undemocratic interwar history, placed radical social change on the postwar agenda across the region and shaped the debates that took place in immediate postwar Czech society. These debates adopted both a cultural form, in struggles over the meaning of the recent past and the nation's position on the East-West continuum, and a directly political form, in battles over the meaning of socialism. The Struggle for the Soul of the Nation examines the most important and politically resonant fields of historical and cultural debate in Czech society immediately after World War II. Bradley Abrams finds that commu...
Communism's Public Sphere
Communism's Public Sphere explores the political role of cultural spaces in the Eastern Bloc. Under communist regimes that banned free speech, political discussions shifted to spaces of art: theaters, galleries, concert halls, and youth clubs. Kyrill Kunakhovich shows how these venues turned into sites of dialogue and contestation. While officials used them to spread the communist message, artists and audiences often flouted state policy and championed alternative visions. Cultural spaces therefore came to function as a public sphere, or a rare outlet for discussing public affairs. Focusing on Kraków in Poland and Leipzig in East Germany, Communism's Public Sphere sheds new light on state-s...
Culture, Ethnicity and Migration After Communism
This book addresses the issue of emerging transnationalism in the conditions of post-socialism through focusing on migrants’ identity as a social construction resulting from their experience of the ‘transnational circuit of culture’ as well as from post-Soviet shifts in political and economic conditions in their home regions. Anton Popov draws upon ethnographic research conducted among Greek transnational migrants living on the Black Sea coast and in the North Caucasus regions of Russia who have become involved in extensive cross-border migration between the former Soviet Union (the Russian Federation, Kazakhstan and Georgia) and Greece (as well as Cyprus). It is estimated that more th...
Vision and Communism
In the last thirty years of the Soviet Communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. In this sense Koretsky's art demonstrates what an “avant-garde late Communist art” would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue. Vision and Communism presents a series of interconnected essays devoted to Viktor Koretsky's art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition Vision and Communism, opening at the Smart Museum of Art in September 2011.
Anti-Communism and Popular Culture in Mid-Century America
Not long after the Allied victories in Europe and Japan, America's attention turned from world war to cold war. The perceived threat of communism had a definite and significant impact on all levels of American popular culture, from government propaganda films like Red Nightmare in Time magazine to Adventures of Rocky and Bullwinkle. This work examines representations of anti-communist sentiment in American popular culture from the early fifties through the mid-sixties. The discussion covers television programs, films, novels, journalism, maps, memoirs, and other works that presented anti-communist ideology to millions of Americans and influenced their thinking about these controversial issues. It also points out the different strands of anti-communist rhetoric, such as liberal and countersubversive ones, that dominated popular culture in different media, and tells a much more complicated story about producers' and consumers' ideas about communism through close study of the cultural artifacts of the Cold War. Instructors considering this book for use in a course may request an examination copy here.
Russian Cultural Anthropology After the Collapse of Communism
In Soviet times, anthropologists in the Soviet Union were closely involved in the state's work of nation building. They helped define official nationalities, and gathered material about traditional customs and suitably heroic folklore, whilst at the same time refraining from work on the reality of contemporary Soviet life. Since the end of the Soviet Union anthropology in Russia has been transformed. International research standards have been adopted, and the focus of research has shifted to include urban culture and difficult subjects, such as xenophobia. However, this transformation has been, and continues to be, controversial, with, for example, strongly contested debates about the relevance of Western anthropology and cultural theory to post-Soviet reality. This book presents an overview of how anthropology in Russia has changed since Soviet times, and showcases examples of important Russian anthropological work. As such, the book will be of great interest not just to Russian specialists, but also to anthropologists more widely, and to all those interested in the way academic study is related to prevailing political and social conditions.
