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The report describes the current state-of-the-art in automation of graphic arts composition, starting from either of two sources: keyboard entry of manuscript material, or mechanized input in the form of available perforated tapes or magnetic tapes. The gamut is covered from one extreme in which a skilled keyboard operator performs all of the compositor functions required to operate a typesetting machine, to the other extreme in which the input merely provides text whether or not including designation of desired font changes, followed by a high degree of automation through all operations leading to type set for printing. Intermediate automation aids for the compositor functions, including ch...