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Minor philofascist publications that appeared in those years are considered as well. Their editorial policy is woven with and presented against the background of the portentous events that shook the world and led to the Second World War."--BOOK JACKET.
The more than fifty authors represented come from across Canada and have backgrounds in all regions of Italy.
Disorder, the newest collection of poetry from Concetta Principe, explores the metaphorical relationship between the home and the mind, where a home should be place of sanctuary but can have its safe borders destabilized by mental illness. The poems work through these questions with Principe's characteristic subtlety, intelligence ? a nuanced and compassionate meditation on what it means to be at home.
"Embodied Testimonies, Gendered Memories, and the Poetics of Trauma" is a collection of academic essays that uses mainstream and postcolonial trauma theory in the analysis of literary and artistic representations of traumatic history. This collection prioritizes historical and personal accounts from the perspectives of Iranian, Arab, Jewish, and Black women to highlight the ways in which gender, race, and religion shape experiences of trauma. By drawing attention to individual experiences of suffering — both visible and invisible — the authors reconsider the basis for collective and socio-political engagement. The book re-examines established postcolonial trauma theory, which can occasio...
Pillars of Lace is an eclectic collection of the finest writing by Italian-Canadian women. It is the first anthology of its kind in Canada. This anthology showcases excerpts of a variety of writing styles: poetry, short stories, film scripts, novels, personal memoirs, and journalism. Pillars of Lace is the perfect starting point for an introduction to and a taste of Italian-Canadian women writers. The material previously published or written in French or Italian has been translated into English. Many established, award-winning writers are represented: Maris Ardizzi, Angela Baldassarre, Carole David, Fiorells De Luca Calce, Isabella Colalillo-Katz, Mary di Michele, Caterina Edwards, Anna Foschi, Darlene Madott, Mary Melfi, Gianna Patriarca, Panny Petrone, Liliane Welch, Bianca Zagolin, Carmen Laurenza-Ziolkowski, and other recently and unpublished writers.
Stars Need Counting by Concetta Principe meditates on questions of suicide in the mode of A. Alvarez, when he says, in A Savage God, that there are no answers to these questions, because suicide is a ?closed world? ? so closed that it's not our place to judge or cast shame. These essays explore the quality of what is closed about this world, bring it close enough to scrape the shame off the act, and for both those who have passed and those who survive, offer peace.
"While representing the best of human endeavor, works of art have become ordinary features of our lives, familiar and reliably present," writes Richard Teleky. "They are, however, extraordinary. So extraordinary, in fact, that in themselves they are a kind of paradise." In Ordinary Paradise, acclaimed author, critic and editor Richard Teleky considers a variety of artistic forms—from novels and poems to paintings and sculptures to movies and musical compositions—in celebration of the creative achievements that surround us and affect our daily lives. He examines, as well, some of the challenges and tensions in any artist’s life. The essays in Ordinary Paradise challenge conventional wis...
Psychoanalysis and the New Rhetoric: Freud, Burke, Lacan, and Philosophy's Other Scenes is an innovative work that places the fields of psychoanalysis and rhetoric in dynamic resonance with one another. The book operates according to a compelling interdisciplinary conceit: Adleman provocatively explores the psychoanalytic aspects of rhetoric and Vanderwees probes the rhetorical dimensions of psychoanalytic practice. This thoroughly researched text takes a closer look at the "missed encounter" between rhetoric and psychoanalysis. The first section of the book explores the massive, but underappreciated, influence of Freudian psychoanalysis on Kenneth Burke’s "new rhetoric." The book’s seco...
Literary Criticism. Cultural Studies. In San Diego, California, between June 15 and June 17, 1996, two writers sit before a microphone and exchange ideas on a number of burning issues with which they have both had to contend for over twenty years. Literature, the politics of publishing, identity, culture, post-emigrant culture, ethnicity, pluriculturalism, Americanism, Canadianism, nationalism, the use of writers' associations: these are some of the themes that Antonio D'Alfonso and Pasquale Verdicchio tackle in this casual yet intense duologue. Antonio D'Alfonso has published over a dozen books and works as an editor and publisher, and Pasquale Verdicchio is the author of a dozen books and is head of the Writing Program in the Department of Literature at the University of California, San Diego.
Starting with Marx and Freud, scholars have attempted to identify the primary ethical challenge of capitalism. They have named injustice, inequality, repression, exploitative empires, and capitalism's psychic hold over all of us, among other ills. Nimi Wariboko instead argues that the core ethical problem of capitalism lies in the split nature of the modern economy, an economy divided against itself. Production is set against finance, consumption against saving, and the future against the present. As the rich enjoy their lifestyle, their fellow citizens live in servitude. The economy mimics the structure of our human subjectivity as Saint Paul theorizes in Romans 7: the law constitutes the subject as split, traversed by negativity. The economy is split, shot through with a fundamental antagonism. This fundamental negativity at the core of the economy disturbs its stability and identity, generating its destructive drive. The Split Economy develops a robust theoretical framework at the intersection of continental philosophy, psychoanalytic theory, theology, and political economy to reveal a fundamental dynamic at the heart of capitalism.