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La transición entre etapas
Cómo soslayar las problemáticas, los temores e incertidumbres que suscitan el cambio de una etapa educativa a otra. Cómo dar continuidad al proceso educativo ofreciendo programas de acogida, planes de orientación y coordinación entre los equipos implicados.
Dolores del Río
Dolores del Río's enormously successful career in Hollywood, in Mexico, and internationally illuminates issues of race, ethnicity, and gender through the lenses of beauty and celebrity. She and her husband left Mexico in 1925, as both their well-to-do families suffered from the economic downturn that followed the Mexican Revolution. Far from being stigmatized as a woman of color, she was acknowledged as the epitome of beauty in the Hollywood of the 1920s and early 1930s. While she insisted upon her ethnicity, she was nevertheless coded white by the film industry and its fans, and she appeared for more than a decade as a romantic lead opposite white actors. Returning to Mexico in the early 1940s, she brought enthusiasm and prestige to the Golden Age of Mexican cinema, becoming one of the great divas of Mexican film. With struggle and perseverance, she overcame the influence of men in both countries who hoped to dominate her, ultimately controlling her own life professionally and personally.
Mexico in the Time of Cholera
Pomp and pageantry, impiety and obscenity -- Birthdays, patron saints, and names for newborns -- Pregnancy, privacy, and parish priests -- But if you do not love him? -- Men remembering romance (and other reasons to marry) -- Inventing love stories -- True wedding portraits -- Where their bodies were buried -- To fear the wrath of heaven.
Index Medicus
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.
