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Screenwriting
Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
Screenwriting
Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
Chasing the Horizon (A Western Light Book #1)
Her only chance at freedom waits across the horizon Upon uncovering her tyrannical father's malevolent plot to commit her to an asylum, Beth Rutledge fabricates a plan of her own. She will rescue her mother, who had already been sent to the asylum, and escape together on a wagon train heading west. Posing as sisters, Beth and her mother travel with the pioneers in hopes of making it to Idaho before the others start asking too many questions. Wagon-train scout Jake Holt senses that the mysterious women in his caravan are running from something. When rumors begin to spread of Pinkerton agents searching relentlessly for wanted criminals who match the description of those on his wagon train, including Beth, she begins to open up to him, and he learns something more sinister is at hand. Can they risk trusting each other with their lives--and their hearts--when danger threatens their every step?
Producing British Television Drama
This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audienc...
(Not) Getting Paid to Do What You Love
An illuminating investigation into a class of enterprising women aspiring to “make it” in the social media economy but often finding only unpaid work Profound transformations in our digital society have brought many enterprising women to social media platforms—from blogs to YouTube to Instagram—in hopes of channeling their talents into fulfilling careers. In this eye-opening book, Brooke Erin Duffy draws much-needed attention to the gap between the handful who find lucrative careers and the rest, whose “passion projects” amount to free work for corporate brands. Drawing on interviews and fieldwork, Duffy offers fascinating insights into the work and lives of fashion bloggers, beauty vloggers, and designers. She connects the activities of these women to larger shifts in unpaid and gendered labor, offering a lens through which to understand, anticipate, and critique broader transformations in the creative economy. At a moment when social media offer the rousing assurance that anyone can “make it”—and stand out among freelancers, temps, and gig workers—Duffy asks us all to consider the stakes of not getting paid to do what you love.
Caring in Times of Precarity
Caring in Times of Precarity draws together two key cultural observations: the increase in those living a single life, and the growing attraction of creative careers. Straddling this historical juncture, the book focuses on one particular group of ‘precariat’: single women in Shanghai in various forms of creative (self-)employment. While negotiating their share of the uncanny creative work ethos, these women also find themselves interpellated as shengnü (‘left-over women’) in a society configured by a mix of Confucian values, heterosexual ideals, and global images of womanhood. Following these women’s professional, social and intimate lives, the book refuses to see their singlehoo...
The Devlin Witch
The Devlin magic can bring your heart’s desire - but at what cost? Mary Devlin accepted her fate years ago, to serve Slanaitheoir, the powerful demon and lord of the mountain who saved her ancestors from the Irish Famine. Like generations of Devlin witches before her, the hauntingly beautiful woman submitted to His every caress, His every humiliation. But when His lordship threatened her family, Mary broke the agreement with the vengeful demon and now Mary and her progeny must pay the price. Mary and each succeeding Devlin witch — fiery Orla, fragile Fiona, pragmatic Annie and seductive Rita — will try and best Slanaitheoir in a battle of wills and magic. But the seductive demon can satisfy a witch as no human lover can. Each Devlin witch must decide — when part of her still yearns for His touch and love, can she fight him and win?
