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Renaissance Feminism
Considering a wide range of Renaissance works of nonfiction, Jordan asserts that feminism as a mode of thought emerged as early as the fifteenth century in Italy, and that the main arguments for the social equality of the sexes were common in the sixteenth century. Renaissance feminism, she maintains, was a feature of a broadly revisionist movement that regarded the medieval model of creation as static and hierarchical and favored a model that was dynamic and relational. Jordan examines pro-woman arguments found in dozens of pan-European texts in the light of present-day notions of authority and subordination, particularly resistance theory, in an attempt to link gender issues to larger cont...
Reason and Imagination
Reason and Imagination: The Selected Correspondence of Learned Hand provides readers with an intimate look into the life and mind of Judge Learned Hand, an icon in American Law. This new book brings to light previously unpublished letters and gives readers insight into Hand's thoughts on American jurisprudence and policy. This new collection includes a preface by Ronald Dworkin.
Boccaccio's Heroines
In contrast to earlier scholars who have seen Boccaccio's Famous Women as incoherent and fractured, Franklin argues that the text offers a remarkably consistent, coherent and comprehensible treatise concerning the appropriate functioning of women in society. In this cross disciplinary study of a seminal work of literature and its broader cultural impact on Renaissance society, Franklin shows that, through both literature and the visual arts, Famous Women was used to promote social ideologies in both Renaissance Tuscany and the dynastic courts of northern Italy. Speaking equally to scholars in medieval and early modern literature, history, and art history, Franklin brings needed clarification...
Shakespeare's Monarchies
Constance Jordan looks at how Shakespeare, through his romances, contributed to the cultural debates over the nature of monarchy in Jacobean England. Stressing the differences between absolutist and constitutionalist principles of rule, Jordan reveals Shakespeare's investment in the idea that a head of state should be responsive to law, and not be governed by his unbridled will. Conflicts within royal courts which occur in the romances show wives, daughters, and servants resisting tyrannical husbands, fathers, masters, and monarchs by relying on the authority of conscience. These loyal subjects demonstrated to Shakespeare's diverse audiences that the vitality of the body politic, its dynastic future, and its material productivity depend on a cooperative union of ruler and subject. Drawing on representations of servitude and slavery in the humanist and political literature of the period, Jordan shows that Shakespeare's abusive rulers suffer as much as they impose on their subjects. Shakespeare's Monarchies recognizes the romances as politically inflected texts and confirms Shakespeare's involvement in the public discourse of the period.
Declamation on the Nobility and Preeminence of the Female Sex
Originally published in 1529, the Declamation on the Preeminence and Nobility of the Female Sex argues that women are more than equal to men in all things that really matter, including the public spheres from which they had long been excluded. Rather than directly refuting prevailing wisdom, Agrippa uses women's superiority as a rhetorical device and overturns the misogynistic interpretations of the female body in Greek medicine, in the Bible, in Roman and canon law, in theology and moral philosophy, and in politics. He raised the question of why women were excluded and provided answers based not on sex but on social conditioning, education, and the prejudices of their more powerful oppressors. His declamation, disseminated through the printing press, illustrated the power of that new medium, soon to be used to generate a larger reformation of religion.
Gone with the Glory
From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.
Textual Conversations in the Renaissance
A group of leading scholars here investigate the varied ways in which the Renaissance incorporated conversation and dialogue into its literary, political, juridical, religious, and social practices. Across a range of texts and genres, the essays focus on the importance of conversation to early modern understandings of ethics; on literary history itself as an ongoing authorial conversation; and on the material and textual technologies that enabled early modern conversations.
Gendering the Crown in the Spanish Baroque Comedia
The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a t...
Holy Estates
This volume examines analogies between marital and political ideology in early modern culture, analyzing sixteenth- and seventeenth-century marriage tracts and the appropriation of their rhetoric by Shakespeare, Mary Wroth, Francis Beaumont and John Fletcher, and John Webster. Just as the marriage tracts draw explicitly on political metaphors to prescribe marital decorum, early modern political treatises adopt the language of the marriage tracts, using their construction of the family unit as a model for exercising power. on important, often subversive, meanings when they are redeployed in prose fiction and drama. The woman's place within these marital and political discourses and how she fares within early modern domestic and political hierarchies are the book's primary concerns. Included here are detailed discussions of Wroth's Urania, Shakespeare's Taming of the Shrew, Titus Andronicus, Othello, and The Tempest, Beaumont and Fletcher's The Maid's Tragedy, and Webster's The Duchess of Malfi. Sid Ray is Associate Professor of English at Pace University in New York.
Showing Like a Queen
Showing Like a Queen argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage.
