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"To the economist and ballet enthusiast John Maynard Keynes he was potentially the most brilliant man he'd ever met; to Dame Ninette de Valois he was the greatest ballet conductor and advisor this country has ever had; to the composer Denis ApIvor he was the greatest, mostr lovable, and most entertaining personality of the musical world; whilst to the dance critic Clement Crisp he was quite simply a musician of genius. Yet sixty years after his ... death Constant Lambert is little known today. As a composer he is remembered for his jazz-inspired The Rio Grande but little more, and for a man who ... devoted the graeter part of his life to the establishment of English ballet his work is largely unrecognized today. [This book] looks not only at his music but at his journalism, his talks for the BBC, his championing of jazz (in particular, Duke Ellington), and, more privately - his longstanding affair with Margot Fonteyn. ..."--Book jacket.
A brilliant analysis of the music of the twenties and thirties, also discusses the music of composers like Stravinsky, Satie, Gershwin, and considers the contributions of jazz and other pop music of the time with classical music.
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"Laura King is a liberated, intelligent and successful woman: successful not only in her career but also with men. Although she has never married, hers has been an active and emotionally fulfilled life. Suddenly, at the age of forty-four, she learns that she is suffering from a rare liver disease and has only a year or two to live. In typically flamboyant style, Laura invites her ex-lovers to dinner. There she announces the unusual part they are to play in her final months. As The Constant Mistress unravels Laura's past, racing against time, Angela Lambert focuses on the relationships between men and women, sisters, parents and friends. Laura's last months concentrate her mind both on the tug between domesticity and freedom, between fidelity and desire, and, above all, on the experience and aftermath of passion. In a novel that is witty and moving, Angela Lambert reveals the dilemmas of the privileged generation of women who came to adulthood after the Pill but before Aids. 'A compulsive read...funny, observant and very real' Beryl Bainbridge 'Lambert refuses to shirk the no-go areas of a woman's life and lust, passion and death. The writing is compelling and the reader, w
'A bald summary does no justice to the subtlety and exceptional lucidity of a book which turns the bland, familiar, intrinsically worthy stuff of so many fictional family sagas into a biographical triumph.' Observer'Motion has given us an exemplary piece of research, and a comparison of three eras that is of compelling interest, not least in showing what damage one generation does to the next.' Sunday Times'The story of the three Lamberts is as cruel and horrifying as any Greek tragedy. What it may lack in grandeur it makes up for in being true and recent. Its portrayal of the way in which the Lamberts instinctively yet unintentionally assisted in the destruction of their own offspring makes for truly compulsive reading.' Harpers and Queen
"Using first-hand accounts, including contemporary correspondence, articles and interviews, this account of Walton's life also draws on material newly available relating to his friends and associates. The reception of Facade and Walton's work in both films and radio are fully explored."--BOOK JACKET.
If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.
Now in paperback. This innovative survey of large choral-orchestral works written between 1900 and 1972 and containing some English text examines eighty-nine works, from Elgar's Dream of Gerontius to Bernstein's Mass. For each work, the author provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliographies of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both choir and orchestra. When present, solo roles are described. The forty-nine composers represe...
Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.