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Beethoven and His World
Following the author's acclaimed biographical dictionaries on Schubert and Mozart, 'Beethoven and His World' offers an extremely comprehensive and up-to-date survey of the composer's relations with a multitude of persons with whom he associated on a personal or professional basis: relatives, friends, acquaintances, librettists, poets, publishers, artists, patrons, and musicians. With more than 450 entries, the dictionary is the result of a wide-ranging examination of primary and secondary sources, and critically assesses the use which scholars have made of the considerable documentation now available. In particular, there are numerous references to Beethoven's correspondence and conversation books, which have recently been published in excellent new editions. The book places the composer and his music in a fuller context and a wider perspective than might be possible in a traditional biography; it will appeal to all music lovers, both the scholar and the non-specilaist alike.
Schubert's Poets and the Making of Lieder
A re-examination of the life and work of four poets and Schubert's settings of their verse.
Private Music Collections
This volume identifies the location of the most important books, recordings, graphic materials, and scores held in private music collections. Entries range from 1467 to 1995 and have no geographical or language limitations. Information is divided into categories including catalogs and literature, unnamed collections, the migration of private collections, private collections now in institutions, vendors of collections, and lists, catalogs, and inventories. Data includes where the item can be found, buyers of sales items if an individual library was later put up for sale, birth and/or death dates for important collectors, and other relevant details.
How the Wise Men Got to Chelm
1. How the Wise Men got to Gotham: the fools of Chelm take Manhattan -- 2. How foolish Is Jewish culture? fools, Jews, and the Carnivalesque Culture of early modernity -- 3. Through the land of foolish culture: from Laleburg to Schildburg -- 4. Gentile fools speaking Yiddish: the Schildbergerbuch for Jewish readers -- 5. The enlightenment goes East: how Democritus of Abdera got to Galicia -- 6. The geography of folly: the folklorists and the invention of Chelm -- 7. Chelm tales after World War One in German and Yiddish: "Our Schilda" and "Our Chelm Correspondent
Genealogies of Music and Memory
Introduction. Gluck Reception and Cultural Exchange -- Gluck in Performance, 1830-1870 -- Paris Imagines Gluck -- Towards 'Rediscovery' -- Gluck in the Theatre.
Early Modern Natural Law in East-Central Europe
Which works and tenets of early modern natural law reached East-Central Europe, and how? How was it received, what influence did it have? And how did theorists and users of natural law in East- Central Europe enrich the pan-European discourse? This volume is pioneering in two ways; it draws the east of the Empire and its borderlands into the study of natural law, and it adds natural law to the practical discourse of this region. Drawing on a large amount of previously neglected printed or handwritten sources, the authors highlight the impact that Grotius, Pufendorf, Heineccius and others exerted on the teaching of politics and moral philosophy as well as on policies regarding public law, codification praxis, or religious toleration. Contributors are: Péter Balázs, Ivo Cerman, Karin Friedrich, Gábor Gángó, Anna Grześkowiak-Krwawicz, Knud Haakonssen, Steffen Huber, Borbála Lovas, Martin P. Schennach, and József Simon.
Empresses and Queens in the Courtly Public Sphere from the 17th to the 20th Century
This book analyzes the evolving interaction between court and media from an understudied perspective. Eight case studies focus on different European Empress consorts and Queen regnants from the seventeenth to the twentieth centuries, using a comparative, cross-media, and cross-period approach. The volume addresses a multitude of questions, ranging from how dynastic women achieved public prominence through their portraits; how their faces and bodies were moulded and rearticulated to fit varying expectations in the courtly public sphere; and the degree to which they, as female actors, engaged with or had agency within the processes of production and reception. In particular, two types of female rulership and their relationship to diverse media are contrasted, and lesser-known and under-researched dynastic women are spotlighted. Contributors: Christine Engelke, Anna Fabiankowitsch, Inga Lena Ångström Grandien, Titia Hensel, Andrea Mayr, Alison McQueen, Marion Romberg, and Alison Rowley.
Schubert
The collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.
