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Virtual Sound
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Pure Data
The book is an overview of the theory and practice of Pure Data, with a glossary of terms and suggested tests that allow students to evaluate their progress. Comprehensive online support, running parallel to the explanations in the book, includes hundreds of sample patches, analyses, interactive sound-building exercises, and reverse engineering exercises. This book will provide a reader with skill and understanding in using Pure Data for sound design and musical composition.
An Introduction to Music Technology
An Introduction to Music Technology, Second Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Computer Notation, and Computer- Assisted Instruction. Appendices cover necessary computer hardware and software concepts. Written for both music technology majors and non-majors, this textbook introduces fundamental principles and practices so students can learn to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis. Features: Thoro...
The Computer Music Tutorial, second edition
Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students. Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music. The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psy...
Vibration of Mindlin Plates
Over the last several years, the four authors have jointly conducted research into the analysis of vibrating Mindlin plates as a collaborative project between Nanyang Technological University, The National University of Singapore, and The University of Queensland. The research was prompted by the fact that there is a dearth of vibration results for Mindlin plates when compared to classical thin plate solutions. To generate the vibration results, the authors have successfully employed the Ritz method for general plate shapes and boundary conditions. The Ritz method, once thought to be awkward for general plate analysis, can be automated through suitable trial functions (for displacements) that satisfy the geometric plate boundary conditions a priori. This work has been well-received by academics and researchers, as indicated by the continual requests for the authors' papers and the Ritz software codes. This monograph is written with the view to share this so-called p-Ritz method for the vibration analysis of Mindlin plates and its software codes with the research community. To the authors' knowledge, the monograph contains the first published Ritz plate software codes of its kind.
MITB Mastering in the Box
More than 500 pages on audio mastering with hundreds of examples, online media, tests, activities, etc. This book deals with digital sound processing for audio mastering, entirely inside a computer, ITB, In the Box. We chose to deal with the ITB mode mainly because, nowadays, thanks to the computing power of our computers, it is possible to achieve a high level of accuracy and calculation. Considering that these computers are now within anyone's reach, such a text may help the reader make things that only few mastering studios, provided with expensive equipment, could have done before. Topics Production chain - Background history and meaning of mastering - Types of processing - Metering - Analyzing material to master - Filtering, DC offset removal and timbral changes - Spatial processing - Dynamics processing - Distortion and saturation - Noise reduction - M/S mastering - Stem mastering - Surround mastering - Dither - Authoring - Red book - Mastering for streaming and compressed formats
Teaching Electronic Music
Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.
Designing Audio Objects for Max/MSP and Pd
Accompanying CD-ROM contains complete code for all projects presented in the book. The Max/MSP externals are designed for use with Max 5.
Step by Step
Step sequencers are a special treat: they offer a simplified approach to composition that can be the basis for fun and creative music-making. Using the Max/MSP visual programming language, Gregory Taylor provides the recipes for over a dozen step sequencers that range from basic to surprisingly deep. In doing so, he also presents Max as the perfect toolkit for creating these addictive devices.
