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James Fenimore Cooper
James Fenimore Cooper (1789–1851) invented the key forms of American fiction—the Western, the sea tale, the Revolutionary War romance. Furthermore, Cooper turned novel writing from a polite diversion into a paying career. He influenced Herman Melville, Richard Henry Dana, Jr., Francis Parkman, and even Mark Twain—who felt the need to flagellate Cooper for his “literary offenses.” His novels mark the starting point for any history of our environmental conscience. Far from complicit in the cleansings of Native Americans that characterized the era, Cooper’s fictions traced native losses to their economic sources. Perhaps no other American writer stands in greater need of a major ree...
James Fenimore Cooper
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Gleanings in Europe
Describing Italy as "the only region of the earth that I truly love," James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world. In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively. The response of his ...
James Fenimore Cooper: The Leatherstocking Tales Vol. 2 (LOA #27)
When Cooper's most memorable hero, Leatherstocking, started an American tradition by setting off into the sunset in The Pioneers, one early reader said of his departure, "I longed to go with him." American readers couldn't get enough of the Leatherstocking saga (collected in two Library of America volumes) and, fourteen years after he portrayed the death of Natty Bumppo in The Prairie, Cooper brought him back in The Pathfinder, or The Inland Sea (1841). During the Seven Years War, just after the events narrated in The Last of the Mohicans, Natty brings the daughter of a British sergeant to her father's station on the Great Lakes, where the French and their Indian allies are plotting a treach...
James Fenimore Cooper: Collected Novels
This unique and meticulously edited collection of the greatest works by James Fenimore Cooper includes: Leatherstocking Tales:_x000D_ The Deerslayer_x000D_ The Last of the Mohicans_x000D_ The Pathfinder_x000D_ The Pioneers_x000D_ The Prairie_x000D_ The Littlepage Manuscripts:_x000D_ Satanstoe_x000D_ The Chainbearer_x000D_ The Redskins_x000D_ The Adventures of Miles Wallingford:_x000D_ Afloat and Ashore_x000D_ Miles Wallingford_x000D_ Other Novels:_x000D_ Precaution_x000D_ The Spy_x000D_ The Pilot_x000D_ The Red Rover_x000D_ The Wept of Wish-ton-Wish_x000D_ The Water-Witch_x000D_ The Bravo_x000D_ The Headsman_x000D_ The Monikins_x000D_ Homeward Bound_x000D_ Home as Found_x000D_ Mercedes of Ca...
James Fenimore Cooper
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
