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One With Others
Honored in "Best Books of the Year" listings from The New Yorker, National Public Radio, Library Journal, and The Huffington Post. "One With Others represents Wright's most audacious experiment yet."—The New Yorker "[A] book . . . that defies description and discovers a powerful mode of its own."— National Public Radio "[A] searing dissection of hate crimes and their malignant legacy."—Booklist Today, Gentle Reader, the sermon once again: "Segregation After Death." Showers in the a.m. The threat they say is moving from the east. The sheriff's club says Not now. Not nokindofhow. Not never. The children's minds say Never waver. Air fanned by a flock of hands in the old funeral home where...
Sight Lines
Winner of the 2019 National Book Award “The sight lines in Sze’s 10th collection are just that―imagistic lines strung together by jump-cuts, creating a filmic collage that itself seems to be a portrait of simultaneity.” ―The New York Times From the current phenomenon of drawing calligraphy with water in public parks in China to Thomas Jefferson laying out dinosaur bones on the White House floor, from the last sighting of the axolotl to a man who stops building plutonium triggers, Sight Lines moves through space and time and brings the disparate and divergent into stunning and meaningful focus. In this new work, Arthur Sze employs a wide range of voices—from lichen on a ceiling to...
Red Stilts
Red Stilts finds Pulitzer Prize-winner and former U. S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets “need to write poetry that doesn’t make people feel stupid.” Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that’s right under our noses. Right under Kooser’s nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.
Rising, Falling, Hovering
Presents a collection of poems that address life in the United States.
The Human Line
Bass--co-author of million-seller Courage to Heal--says poetry is where she "grieves, rages, prays."
A Primer on Parallel Lives
“Dan Gerber tenderly reels his readers through the ‘beautiful movie’ he calls the passing of time on earth in a language completely unadorned and Zen-like in its quietude. The thing itself carries the weight of these poems, which recall the deep imagery of Vallejo, Neruda and Wright.”—Rain Taxi Dan Gerber is a master of layered, bittersweet imagery. In his seventh book of poems, he writes of childhood misgivings and fears, the oak savannah landscape of California’s central coast, and a near-mystical relationship with nature. As novelist John Nichols once wrote of Gerber’s poetry, “Dan Gerber has an exquisitely muted, yet profound understanding of tragedy, love, family, and th...
The Tradition
WINNER OF THE PULITZER PRIZE FOR POETRY The Tradition by Jericho Brown, is a cutting and necessary collection, relentless in its quest for survival while revelling in a celebration of contradiction. A Poetry Book Society Choice 'To read Jericho Brown's poems is to encounter devastating genius.' Claudia Rankine Jericho Brown’s daring poetry collection The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex – a combination of the sonnet, the ghazal, and the blues – testament to his formal skill.
Preliminary Report
"Davis is as good as DeLillo at playing off our internal hunger for meaning against surface senselessness. And Davis catches the surface brilliantly."--American Book Review Punctuated by subversive humor, verbal theatrics, and moments of strange, luminous beauty, Davis' clear, unsentimental poems are meditations and mediations on contemporary existence and the unreliability of language, emotions, and the memory to gather it all in. Jon Davis, author of five collections of poetry, earned his MFA from the University of Montana. He has received a Lannan Literary Award and currently teaches at the Institute of American Indian Arts in Santa Fe, New Mexico.
For Now
Classic meets contemporary in James Richardson’s ninth collection. Writers from Bashō to Hardy, from Merwin to Porchia, inspire meditations on everything from artichokes to cosmology that somehow morph into fables of limitation and desire. This “new poetry made the old way” takes seriously the task of lightening and illuminating our experience, and especially, of distilling it. As Richardson writes, “The road not taken also would have gotten me home.” More than sixty poems of ten lines or fewer, and two sequences of Richardson’s trademark aphorisms and “ten-second essays,” are set alongside surging lyric meditations and odes. For Now celebrates nows of every length, from the sweep of cosmic evolution, to the span of a life, to the glint of dew on a cold shovel.
A House Called Tomorrow
Copper Canyon Press celebrates its first 50 years of poetry publishing in anticipation of the next 50 years. Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board—past and present—to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon’s early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, “Certain poems / In an uncertain world— / The ones we cling to: // They bring us back.”
