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My Own Devices: Airport Version is a series of stories in which the main characters, all of whom are named Corey Frost, are left to their own devices in Japan, Brazil, Sumatra, St. Petersburg, Macau, Montreal, New York, and elsewhere, with devices such as phones, cameras, and mini-disc recorders, as well the occasional satirical literary gimmick. This new expanded edition is perfect for reading on an airplane, train, bus, or ferry. It includes new stories from Lesotho, Turkey, and Angkor Wat, as well as new postcard projects, timelines and ephemera.
Bitch is a bitch of a word. It used to be a straightforward insult, but today—after so many variations and efforts to reject or reclaim the word-it's not always entirely clear what it means. Bitch is a chameleon. There are good bitches and bad bitches; sexy bitches and psycho bitches; boss bitches and even perfect bitches. This eye-opening deep-dive takes us on a journey spanning a millennium, from its humble beginnings as a word for a female dog through to its myriad meanings today, proving that sometimes you can teach an old dog new tricks. It traces the colorful history and ever-changing meaning of this powerful and controversial word, and its relevance within broader issues of feminism, gender, race and sexuality. Despite centuries of censorship and attempts to ban it, bitch has stood the test of time. You may wonder: is the word going away anytime soon? Bitch, please.
The first biography - 'a stunning achievement' (Kai Bird, American Prometheus) - of the dazzling and painful life of Nobel Prize-winning physicist Roger Penrose When he was six years old, Roger Penrose discovered a sundial in a clearing near his house. Through that machine made of light, shadow, and time, Roger glimpsed a "world behind the world" of transcendently beautiful geometry. It spurred him on a journey to become one of the world's most influential mathematicians, philosophers, and physicists. Penrose would prove the limitations of general relativity, set a new agenda for theoretical physics, and astound colleagues and admirers with the elegance and beauty of his discoveries. However...
The Scandal of White Complicity and US Hyper-incarceration is a groundbreaking exploration of the moral role of white people in the disproportionate incarceration of African-Americans and Latinos in the United States.
The Indecent Screen explores clashes over indecency in broadcast television among U.S.-based media advocates, the Federal Communications Commission, the TV industry, and audiences. Cynthia Chris focuses on decency debates since the Telecommunications Act of 1996, which have called into question the roles of family and government, and the value of free speech.
In Manhood Acts Michael Schwalbe offers a new perspective on the social construction of manhood and its relationship to male domination. Schwalbe argues that study of masculinity has lost touch with its feminist roots and has been seduced by the politically safe notion of 'multiple masculinities'. Manhood Acts delineates the practices males use to construct 'women' and 'men' as unequal categories. Schwalbe reclaims the radical feminist insights that gender is a field of domination, not a field of play, and that manhood is fundamentally about exerting or resisting control. Manhood Acts arrives at the conclusion that abolishing gender as a system of oppression will require more than transgressive self-presentation. It will be necessary to end the exploitive economic relationships that necessitate manhood itself.
Explores what brevity can teach us about the powers and limits of theater
In Hip and Trivial, historian Robert Wright challenges the pervasive stereotype of young Canadians as addicts of televisual media who are fundamentally alienated from print culture. Examining the rise of "CanLit" and "KidLit" since the 1970s, and the more recent emergence of a powerful consensus among Canadians that reading ought to be an essential component of family life, Hip and Trivial demonstrates that young people in Canada have been extremely well served by the nation's "culture of literacy" as it has taken shape over the last thirty years. Youth today do not read less, or less voraciously, than their elders, Wright argues, but the historic linkages between youth, reading, and citizenship-so characteristic of the literary nationalism of the baby boomers-no longer obtains. However much they may mystify the keepers of the canon, for young Canadians living in a postmodern, globalized world of seemingly infinite cultural choice, reading has largely ceased to be a patriotic act.
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
These tales, like quiet, meditative gestures, speak to the universal human truths that exist in all of us.