Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Husk
Outlandish and emotional, this humorous novel centers on Sheldon Funk, a struggling actor who dies in a bus restroom only to awaken during his autopsy and attack the coroner. Fleeing into the wintry streets of Toronto, Sheldon realizes he's now a zombie--as if he didn't have enough on his plate already. His last audition, reading for the reality television series House Bingo, had gone disastrously wrong. His mother is in the late stages of dementia, his savings are depleted, his agent couldn't care less, and his boyfriend is little more than a set of nice abs. All Sheldon has to his name is a house he can barely hold onto and a cat that is more pillow than mammal. Now he also has to contend with decomposition, the scent of the open grave, and an unending appetite for human flesh--and on top of it all, there's another audition in the morning. In order to survive his death without literally falling apart, Sheldon must find a way to combine his old life with his new addiction, which would be a lot easier if he could stop eating vagrants. A hysterical take on fame, love, religion, politics, and appetite, this is the story of the "everyzombie" people long to be.
Shelf Monkey
Thomas Friesen has three goals in life: get a job, make friends, and find a good book to curl up with. After landing a job at READ, the newest hypermegabookstore, he feels he may have accomplished all three. All is not peaceable within the stacks, however, as discontent steadily rises, aimed squarely at talk show host Munroe Purvis, whose wildly popular book club is progressively lowering the IQ of North America. But the bookworms have a plan?plots are being hatched and the destruction of Munroe is all but assured. As Thomas finds himself swept along in the malstrom of insanity, he wonders if reading a book is all it's cracked up to be.
Beforelife
ItÕs okay if you donÕt believe in the afterlife. The people who live there donÕt believe in you, either. What if you went to heaven and no one there believed in Earth? This is the question at the heart of Beforelife, a satirical novel that follows the post-mortem adventures of widower Ian Brown, a man who dies on the bookÕs first page and finds himself in an afterlife where no one else believes in Òpre-incarnation.Ó The other residents of the afterlife have mysteriously forgotten their pre-mortem lives and think that anyone who remembers a mortal life is suffering from a mental disorder called the ÒBeforelife Delusion.Ó None of that really matters to Ian. All he wants to do is reunit...
Sad Old Faggot
A daring foray into the groundbreaking genre of autobiographical fiction Sad Old Faggot is the absorbing, sometimes embarrassing, always entertaining story of a lonely, self-obsessed, selfish, deluded, impotent 62-year-old gay man named Sky Gilbert who „ despite his best intentions „ cannot help but become a stereotype. SkyÍs main claim to fame is founding Buddies in Bad Times Theatre in 1979. But since leaving Buddies, heÍs fallen on hard times. Sky Gilbert is no longer even remotely famous. He has to fight off his own bitterness as audiences for his plays steadily dwindle. Theatre people dismiss his work as old news and point to the fact that he teaches at the University of Guelph as proof: his descent into academia clearly signals his failure as an artist. All along the way, the book questions our truths and celebrates their mutability. What is really true about each of us? What do we actually know about ourselves? And how much, it asks, of our own personal truth is based on fact „ and how much is rooted in fiction?
Afterlife Crisis
For fans of Douglas Adams, Terry Pratchett, and P.G. Wodehouse Where do you go after you die? Detroit. Something’s rotten in the afterlife. At least that’s how it seems to Rhinnick Feynman, the one man who perceives that someone in the afterlife is tugging at history’s threads and retroactively unraveling the past. Doing his best to navigate a netherworld in which history won’t stop changing for the worse, Rhinnick sets off on a quest to put things right. This would be a good deal easier if Rhinnick didn’t believe he was a character in a novel and that the Author was changing the past through editorial revision. And it’d be better if Rhinnick didn’t find himself facing off against Isaac Newton, Jack the Ripper, Ancient Egyptians, a pack of frenzied Napoleons, and the prophet Norm Stradamus. Come to think of it, it’d be nice if Rhinnick could manage to steer clear of the afterlife’s mental health establishment and a bevy of unexpected fiancées. Undeterred by these terrors, Rhinnick recognizes himself as The Man the Hour Produced, and the only one equipped to outwit the forces of science and mental health.
Chuck Palahniuk, Parodist
Chuck Palahniuk, America's premier transgressive novelist, enjoys a tremendous readership. Yet he has not necessarily been embraced by critics or academics. His prose is considered vulgar by some, but his body of work addresses a core motivation of 21st-century life: individual self-empowerment. Palahniuk writes about what it means to be on the outside looking in, revising familiar narratives for a contemporary audience to get at the heart of the human condition--everyone wants a chance to win his or her fair share, no matter the cost. In Haunted, Snuff, Pygmy, Tell-All, Damned and Invisible Monsters Remix, he confronts marginalization and disenfranchisement through parodies of various works--The Decameron, The Inferno, Are You There God? It's Me, Margaret, The Elephant Man--as well as Hollywood history, 1970s karate films and the porn industry. This comprehensive study of six novels refutes criticism that Palahniuk's goals are to shock and sensationalize.
Empty Hands, Open Arms
“Absorbing . . . Béchard’s masterful, adventure-driven reporting delivers an inspiring account of an all-too-rare ecological success story.” —Booklist Bonobos have captured the public imagination, due not least to their famously active sex lives. Less well known is the fact that these great apes don’t kill their own kind, and that they share nearly 99% of our DNA. Their approach to building peaceful coalitions and sharing resources has much to teach us, particularly at a time when our violent ways have pushed them to the brink of extinction. Animated by a desire to understand bonobos and learn how to save them, Deni Ellis Béchard traveled into the Congo. Empty Hands, Open Arms is...
A Directory of Shakespeare in Performance 1970-1990
This book offers detailed listings of all the major Shakespeare plays on stage and screen in North America. Exploring each of the play's performance history, including reviews and useful information about staging, it provides an engaging reference guide for academics and students alike.
Has the World Ended Yet?
"In Has the World Ended Yet? we start with retired superheroes living in a soulless suburbia where everyone gets lost trying to get home. Then the angels start to fall from the sky. Is it Armageddon? And do we want the world to end or not? In a series of linked short stories Peter Darbyshire weaves together superheroes, ghosts, the undead, a hired hitman, the Cold War, the Rapture and avenging angels in a Twilight Zone-style collection that is riveting and human. We follow characters that are identifiable through situations that are unreal, through a technicolour landscape we are all familiar with. The end of the world is not what we expect, what any of Darbyshire's characters expect and may not really be happening at all. But should it?"--
Reading Mennonite Writing
Mennonite literature has long been viewed as an expression of community identity. However, scholars in Mennonite literary studies have urged a reconsideration of the field’s past and a reconceptualization of its future. This is exactly what Reading Mennonite Writing does. Drawing on the transnational turn in literary studies, Robert Zacharias positions Mennonite literature in North America as “a mode of circulation and reading” rather than an expression of a distinct community. He tests this reframing with a series of methodological experiments that open new avenues of critical engagement with the field’s unique configuration of faith-based intercultural difference. These include cro...
