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Cornélie, vestale
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Selling Sex in the Reich
Selling Sex in the Reich focuses on the voices and experiences of prostitutes working in the German sex trade in the first half of the twentieth century. Victoria Harris develops a nuanced picture of the prostitutes' backgrounds, their reasons for entering the trade, and their attitudes towards their work and those who sought to control them, as well as of their clients and the wide variety of other players within the wider prostitute milieu. Public responses to the issue of prostitution are revealed through the motivations of the law enforcement agencies, social workers, and doctors who increasingly attempted to manage and contain prostitutes' movements and behaviour and to scientifically c...
The Law Inevitable
Reproduction of the original: The Law Inevitable by Louis Couperus
Literary Figures in French Drama (1784–1834)
The general aim of this book is to present a study of a dramatic genre which was a significant facet of French drama in the period from 1784 to 1834 and has never before been singled out or analyzed. The striking feature of the plays of this genre is that the protagonists represent French literary figures. A casual examination of a collection of late eighteenth-and early nineteenth-century plays, many of which concern literary figures, led to the initial idea for this study. Conscientious cross-checking was sub sequently done in a number of reference works and contemporary newspapers to obtain complete coverage and to draw up a list of all the plays in which French literary figures appeared as characters. From the total number of such plays, 153 have been used as the primary source of information. They were found scattered either in different collections or as separate copies in various libraries. This source has been supplemented by use of theatrical journals and almanacs giving reviews of some of the plays which were not published.
Paris in Ruins
Pulitzer-winner Sebastian Smee relives the remarkable birth of Impressionism from the ashes of war Paris, January 1871 – the final, agonising days of the Franco-Prussian War. As the German army cements its advantage, shells rattle through the Left Bank. It is a bitterly cold winter; there is no fuel, no medicine, no food. The city’s poorer citizens have long turned to eating rats, cats and dogs. France has been brought to its knees. Édouard Manet, Berthe Morisot, and Edgar Degas are trapped in the besieged city. Renoir and Bazille have joined regiments outside of Paris, while Monet and Pissarro fled the country just in time. Out of the Siege and the Commune, these artists developed a newfound sense of the fragility of life. A feeling for transience – reflected in Impressionism’s emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things – would change art history forever. This is the extraordinary account of the ‘Terrible Year’ in Paris and its monumental impact on the rise of Impressionism.
Federal Register
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Fanny Lewald
"Fanny Lewald: Between Rebellion and Renunciation provides the first comprehensive account in English of the life and work of Fanny Lewald (1811-1889), tracing the way she positioned herself - sometimes precariously - between rebellion and renunciation. All genres are considered: novels and stories, autobiography, travel literature, essays, diaries, and letters. Widely recognized as one of the early German advocates of women's right to education and work, this study places Lewald's views on these issues in a broadly comparative cultural context. This book will, therefore, be of interest not only to specialists in German literature, but also to students and scholars of European cultural and social history, Jewish studies, and women's studies."--Publisher's website.
