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Cosimo i Duke of Florence
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Piero Di Cosimo
Inverting rules with obvious relish, Florentine artist Piero di Cosimo (1462–1522) is known today—as he was in his own time—for his highly personal visual language, one capable of generating images of the most mesmerizing oddity. In this book, Dennis Geronimus overcomes the scarcity of information about the artist’s life and works—only one of the nearly sixty known works by Piero is actually signed and dated—and pieces together from extensive archival research the most complete and accurate account of Piero’s life and career ever written. Unfettered imagination was the sign under which Piero exercised his pictorial invention, and yet the complicated artist was also a product of his culture. The book fills gaps in the artist’s biography and provides intensive analysis of Piero’s protean imagery, discusses his various patrons and commissions, and lists his extant, lost, and uncertainly attributed works.
Cosimo De' Medici
In many ways, he was the father of the Renaissance, or at least its midwife, taking the reins of Florence in 1433 and leading it to a cultural apex that has, perhaps, yet to be rivaled by any municipality since. Cosimo De' Medici, master of a city-state, diplomat and statesman, ruled a Florence that was "in miniature an empire," as this 1899 biography calls it, where painters and thinkers created new movements of art, philosophy, and science that, in turn, created our world today. This is a fascinating look at the man who shepherded Florence through that dramatic period, from his foreign policy that nurtured the city's cosmopolitanism to his fostering of a social and cultural environment in which literature and art flourished.
Cosimo I De' Medici and His Self-Representation in Florentine Art and Culture
In this study, Henk Th. van Veen reassesses how Cosimo de' Medici represented himself in images during the course of his rule. The text examines not only art and architecture, but also literature, historiography, religion, and festive culture.
Cosimo's Room
The murder of a disabled woman in an overgrown copse and obstruction by police colleagues motivates Detective Inspector Laura Baxter as never before. A conspiracy by influential people surrounds the planning approval for a hotel on the murder site, and the victim had important information to give Laura the day she died. Jean Easton was last seen alive in Cosimo’s Room, under which there could be sixteenth-century building remains. The remains could extend deep into the copse where the hotel will be built. Baxter’s determination grows when her ex-husband comes out of jail, threatening to snatch their daughter, and when Laura’s boyfriend leaves her. Her emotions rule her when she should ...
