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Fleurville Trilogy: Sophie's Misfortunes
The first book in the delightful Fleurville Trilogy. Sophie is a naughty little girl, she delights in disobeying her mother and engaging in mischievous pranks. Why can't she be well behaved like her cousin Paul and her two delightfully sensible friends Camille and Madeleine?
Old French Fairy Tales
This 1920 collection includes five timeless French fairy tales written by Comtesse De Segur and illustrated by the 19 year old Virginia Sterrett.
The Fleurville Trilogy
All three parts of the delightful Fleurville Trilogy in one book. In Sophie's Misfortunes, Sophie is a naughty little girl who delights in disobeying her mother and engaging in mischievous pranks. Why can't she be as well behaved as her cousin Paul and her two sensible friends, Camille and Madeleine? In Camille and Madeleine, Camille and Madeleine are perfect little girls, beautifully behaved and wise beyond their years living with their mother at Chateau Fleurville. Another little girl, Margeurite, and her widowed mother come to stay and Sophie, now orphaned, is 'adopted' into the family. Soon all four girls become firm friends. Through their adventures all four learn steadfast loyalty and ...
Camille and Madeleine
Camille and Madeleine are perfect little girls, beautifully behaved and very wise. They live with their mother at Chateau Fleurville. When Sophie comes to stay, she tries her best to behave as well as her friends. But being a perfect little girl proves to be more difficult than she imagined...
The Story of a Donkey(Illustrated)
'The Story of a Donkey' is a cute and fanciful story, featuring an obstinate but lovable donkey named Neddy. Told from his perspective, he recounts how the different people he lived with - from the old woman who used to make him take huge loads to the market, to the group of children who used to race him and the other donkeys. The book has a great many illustrations, the originals drawn by E. H Saunders, and additional images added in 2020.
Sophie's Misfortunes
Meet Sophie. Sometimes she's good, but often she's naughty, which gets her into all kinds so trouble ...
The Godmother
Inspiration for the major motion picture Mama Weed; translated from the international bestseller La Daronne, winner of the European Crime Fiction Prize and the Grand Prix de Littérature Policière, France’s most prestigious prize for crime fiction Meet Patience Portefeux, a fifty-three-year-old, underpaid Franco-Arab interpreter for the Ministry of Justice who specializes in phone tapping. Widowed after the sudden death of her husband, Patience is now wedged between university fees for her grown-up daughters and nursing home costs for her aging mother. Happening upon an especially revealing set of police wiretaps ahead of all other authorities, Patience makes a life-altering decision that...
Blondine, the Pretty Doe and the Gallant Cat
Blondine, the Pretty Doe and the Gallant Cat is an English translation of the French "Histoire de Blondine, Bonne-Biche e Beau-Minon", published in 1856 as part of the Countess de Ségur's "Nouveaux Contes de fées". This fairy tale, delightful for both adults and children, tells the misfortunes of a blonde princess, Blondine, who, having had a difficult time after her father King Benevolent remarried a wicked queen, finds herself lost in an enchanted forest. The story is sad but has a happy ending, and cleverly illustrates moral lessons that can serve as a lesson to us all.
Forest of Lilacs
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Catholicism and Children's Literature in France
This is the first book-length history of the classic French children’s author, the Comtesse de Ségur. Virtually unknown in the English-speaking world, in France, Ségur is a national icon and a cultural phenomenon. Generations of children have grown up reading her stories. This book combines a discussion of her life, her works, and their reception with a broader analysis of the cultural context of the mid-nineteenth century. It offers a unique insight into the political engagement of Catholic women through the medium of children’s literature and education, and brings out new aspects of the history of publishing aimed at children, with particular reference to the market for books for girls. With its lively subject matter and accessible style, this book will appeal not only to scholars of nineteenth-century France, but also to specialists and students interested in the fields of children’s literature, gender studies, and religious history.
