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History Ahead
In History Ahead, Utley and Beeman introduce readers to the famous (Charles Lindbergh, Will Rogers, The Big Bopper and jazz great Charlie Christian) and the not-so-famous (Elmer "Lumpy" Kleb, Don Pedro Jaramillo and Carl Morene, the "music man" of Schulenburg) who have left their marks on the history of Texas. They visit cotton gins, abandoned airfields, forgotten cemeteries, and former world War II alien detention camps to dig up the little-known and unsuspected narratives that have slipped from the knowledge of the general public.
New Territories, New Perspectives
"Marking the first study to take the Louisiana Purchase as the focal point for considering development of American religious history, this collection of essays takes up the religious history of the region including perspectives from New Orleans and the Caribbean and the roots of Pentecostalism and Vodou"-- Provided by publisher.
Lonesome Roads and Streets of Dreams
Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities o...
Charlie Christian
For many, the story of jazz guitar begins with Charlie Christian. In 1939, at 23 years old, Charlie joined the Bennie Goodman Sextet, already one of the most famous jazz bands in the world. Over the next two years of his all-too-brief life Charlie redefined the role of jazz guitar, expanding it from its role in the rhythm section to that of lead instrument on par with the great horn players. Simultaneously, his late-night jam sessions alongside Thelonious Monk, Dizzy Gillespie, Charlie Parker, and Kenny Clarke at Harlem's renowned Minton's jazz club led to a revolutionary new jazz called Bebop. To best understand Charlie Christian's approach to improvising, for each song this book provides m...
A Biography of Charlie Christian, Jazz Guitar's King of Swing
This is a biography on the career of jazz guitarist Charlie Christian, who was raised in Oklahoma City, Oklahoma during the Depression era in the Southwestern region of the United States. This book provides an in-depth analysis of the details surrounding the events that shaped Christian's musical development, beginning with his early influences of 'Territory bands' and 'western swing' groups. The book documents Christian's performances in the urban area of Oklahoma City on Second Street, better known as 'Deep Deuce', as well as his travels with both Anna Mae Winburn and the Alphonso Trent Orchestra. Christian's discovery by producer John Hammond led to Christian's membership in the Benny Goodman Sextet in August of 1939. The book also chronicles Christian's most significant radio broadcasts, live performances, and recordings for Columbia Records, and also includes facts regarding Christian's pioneering guitar style during the early 1940's, as his performances at Minton's Playhouse in Harlem represented the connection between swing and bebop. The biography finally uncovers details into Christian's private life, and his untimely death during the apex of the Goodman era
Jimi Hendrix and the Cultural Politics of Popular Music
This book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant “Gypsy” and “Voodoo child” whose racialized “freak” visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supre...
The Grey Album
*Finalist for the 2012 National Book Critics Circle Award for Criticism* *A Publishers Weekly Top 10 Literary Criticism and Essays Pick for Spring 2012* The Grey Album, the first work of prose by the brilliant poet Kevin Young, winner of the Graywolf Press Nonfiction Prize Taking its title from Danger Mouse's pioneering mashup of Jay-Z's The Black Album and the Beatles' The White Album, Kevin Young's encyclopedic book combines essay, cultural criticism, and lyrical choruses to illustrate the African American tradition of lying—storytelling, telling tales, fibbing, improvising, "jazzing." What emerges is a persuasive argument for the many ways that African American culture is American culture, and for the centrality of art—and artfulness—to our daily life. Moving from gospel to soul, funk to freestyle, Young sifts through the shadows, the bootleg, the remix, the grey areas of our history, literature, and music.
