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Revelation Countdown
Projects onto the open road not the nirvana of personal freedom, but rather a type of freedom more closely resembling loss of control While in many ways reaffirming the mythic dimension of being on the road romanticized in American pop and fold culture, Revelation Countdown also subtly undermines that view. These stories project onto the open road not the nirvana of personal freedom, but rather a type of freedom more closely resembling loss of control. Being in constant motion and passing through new environments destabilizes life, casts it out of phase, heightens perception, and skews reactions. Every little problem is magnified to overwhelming dimension. Events segue from slow motion to fast forward. Background noises intrude, causing perpetual wee hour insomnia. Imagination flourishes, often as an enemy. People suddenly discover that they never really understood their travel companions. The formerly stable line of their lives veers off course. In such an atmosphere, the title Revelation Countdown, borrowed from a roadside sign in Tennessee, proves prophetic. It may not arrive at 7:30, but revelation will inevitably find the traveler.
Indigenous
Engaging memoir about growing up in rural Southern California and identifying as a "Californian" for life.
Girl Beside Him
Transgressive and addictive, Mazza once again probes the limits of human relationships, taking her readers into a region of dark sexuality, torn between love and destruction."--BOOK JACKET.
Charlatan
"And now may you find way into the complexities, and convolutions, the deeply moving investigations at the heart of the work of Cris Mazza"--
Is it Sexual Harassment Yet?
Absurdist sitcoms alternating with off beat psychodramas and tales of trauma.
Chick-lit
None
In the Middle of the Middle West
The 42 essays in this collection take their inspiration from the Midwest—not just from its physical terrain but from its emotional terrain as well. They come from writers of diverse backgrounds: poets, novelists, filmmakers, and journalists; some who came and stayed, some who came and left, and some who were born and raised in this place. The essays revolve generally around issues of conflict between place and identity, and the theme of diversity—be it religious, sexual, racial, artistic, cultural, occupational, or geographical—runs throughout. Writers featured in this collection include Maxine Chernoff, Stuart Dybek, Michael Martone, Cris Mazza, James McManus, Scott Russell Sanders, Mary Swander, and many others of national reputation.
Various Men Who Knew Us as Girls
Would her life have been better if she’d had sex with her supervisor when she was 23? Hester Smith is a woman who always played life near the sidelines—until she decides to rescue a teenage Mexican prostitute. She’s up against the border sex trade in Southern California that works like a drug cartel, where the smuggled contraband is teenage girls forced to work as prostitutes in undeveloped canyons just outside suburbia. Law enforcement agencies know it happens, as do investigative journalists, yet the illegal sex trade continues to exist. Most people, comfortable in their homes only miles away, express some brand of shock in the moment they hear about it—and then they go on with the...
Bottom of the Ninth
Skillfully edited by John McNally, Bottom of the Ninth: Great Contemporary Baseball Short Stories collects nineteen contemporary baseball short stories from a successful mix of well-established writers, lesser-knowns, and a few up-and-comers. These stories are characterized by the same dramatic elements that draw people to the sport itself--the mythologizing of players, the obsessions and romance of the game, the bonds between players and fans, parents and children. From a key play, a missed catch, a chance lost, these are tales of characters facing high stakes and calls to action, metaphorically and literally, in the bottom of the ninth.
The Innocent Party
"Aimee Parkison most often begins softly, slowly stripping away each layer of social interaction to get at what is numinous and frightening and necessary about living in the real world. These are stories both about the difficulty and the intense suddenness of human connection, about the profound link that exists between being in love and being alone."—Brian Evenson From "The Glass Girl": On certain evenings in dark motels, she could transform her lip into the edge of the bottle, imagining her face was made of amber glass and the men paused above her only to take a drink of breath. Over the years, men drank and drank until there were only two sips left inside. They began sucking the air out...
