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Theatre and Performance Design
Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design. The volume is organised thematically in five sections: looking, the experience of seeing space and place the designer: the scenographic bodies in space making meaning This major collection of key writings provides a much needed critical and contextual framework for the analysis of theatre and performance design. By locating this study within the broader field of scenography – the term increasingly used to describe a more integrated reading of performance – this unique anthology recognises the role played by all the elements of production in the creation of meaning. Contributors include Josef Svoboda, Richard Foreman, Roland Barthes, Oscar Schlemmer, Maurice Merleau-Ponty, Richard Schechner, Jonathan Crary, Elizabeth Wilson, Henri Lefebvre, Adolph Appia and Herbert Blau.
The Oxford Handbook of Screendance Studies
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the...
The Live Art Almanac
The Live Art Almanac Volume 3 is a collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011. Selected from an open call for submissions and produced with a network of international partners, Volume 3 reflects the dynamic, international contexts in which Live Art and radical performance-based practices are taking place and the many ways they are being written about. Volume 3 features more traditional forms of writing such as newspaper reviews, journal articles, catalogue essays and lecture texts as well as new platforms for critical discourses like blogs, tweets and other emergent online m...
Mulheres nas Artes, Letras, Ciências e em Cotidianos no Paraná
Este livro é uma coletânia interdisciplinar com artigos e entrevistas sobre mais de 50 educadoras, artistas, ativistas, escritoras, cientistas e cidadãs do Paraná. Os 21 capítulos, com diversos aportes téoricos, abordam estereótipos de gênero, androcentrismo, corpo, racismo, sexismo, homofobia, trabalho e liberdade em conexão com vários contextos culturais. Para além dos feminismos e do escopo paranaense, as ideias dessas mulheres interessarão ao grande público das áreas de Educação, Ciências Sociais, Ciências Exatas, Letras e Artes.
Roberto Pereira
Roberto amava a dança. Pesquisador, professor e crítico criterioso fazia do seu trabalho mais do que um ofício. A dança era sua vida. Tinha muitas ideias e projetos na cabeça e sempre que pôde os realizou. Por Roberto ter sido o criador de tantas obras importantes, fico muito feliz que todos possam a partir deste livro conhecer um pouco mais deste grande profissional, que perdemos tão precocemente. E isso não seria possível sem este presente que Alysson dá para nós, com tanto carinho e respeito. Por todas as minhas memórias e mais as que aqui serão apresentadas, convido vocês a mergulharem nesta biografia deste grande amigo, que foi, inegavelmente, uma das mais importantes figuras do cenário da dança brasileira. É memória cheia de reconhecimento, amor e respeito. VIVA ROBERTO! VIVA ALYSSON! VIVA A DANÇA! Marise Reis
Surface Tension
Following the success of Surface Tension: Problematics of Site, Surface Tension: Supplement No. 1 presents contemporary site-based practices in art, architecture and performance through writing, documentation and projects. It offers readers a string of moments when artistic practice actively discovers, defines and recreates public space, and asks what role that kind of practice might play in defining contemporary culture and society. Issues of design activism and the role of media in spatial experience are explored in critical essays by Jennifer Gabrys on Fresh Kills Landfill in New York, Michael Rakowitz on the Hungarian-based team Big Hope, and in Claudine Isé's Vanishing Point, an exhibition questioning the aesthetics of urban non-spaces. Ken Ehrlich contributes a piece on the infrastructure of signage in Los Angeles as seen through the photographs of Brandon Lattu. In addition, readers will find documentation of projects by the artist groups Simparch and e-Xplo, along with Kristin Kreider and James O'Leary's works designed specifically for the book.
Ilha Do Desterro
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Temas para a dança brasileira
Reflexões de críticos, curadores e pesquisadores renomados, nacional e internacionalmente, sobre importantes e urgentes questões relacionadas à dança contemporânea no Brasil. O livro compila artigos sobre os seguintes temas: A crítica de dança e o jornalismo cultural no Brasil, Produção em dança: especificidades de um ofício, Estratégias de colaboração para a dança no Brasil e Dramaturgia e dança: tendências estéticas e processos de criação.
