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Earlier versions of the first two chapters were published as PREPARATORY THINKING IN HEIDEGGER'S TEACHING. Chapter Three and its appendix comprise a whole, "The Telling Word," introducing my translation of the "Eisgeschichte" by Adalbert Stifter. An earlier version of Chapter Five appeared in PHILOSOPHY TODAY 25(2), Summer 1981, pp. 139-147, as "On the Fundamental Experience of Voice in Language," and in a French translation the following year as "L'Expérience Fondamentale de la Voix dans le Langage," in SPIRALES. JOURNAL INTERNATIONAL DE CULTURE, No. 16, June 1982, pp. 54-56. Chapters 4 and 6 were published for the first time in the first edition of THE VOICE THAT THINKS. Versions of the Heidegger Bibliography appeared in PREPARATORY THINKING IN HEIDEGGER'S TEACHING and in TRANSLATING HEIDEGGER, but it has been thoroughly revised and supplemented for this volume.
Covering 800 years of intellectual and literary history, Prica considers the textual forms of ruins. Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, a...
Recent studies of Heidegger's involvement with National Socialism have often presented Heidegger's philosophy as a forerunner to his political involvement. This has occured often to the detriment of the highly complex nature of Heidegger's relation to the political. Heidegger and the Political redresses this imbalance and is one of the first books to critically assess Heidegger's relation to politics and his conception of the political. Miguel de Beistegui shows how we must question why the political is so often displaced in Heidegger's writings rather than read the political into Heidegger. Exploring Heidegger's ontology where politics takes place after a forgetting of Being and his wish to...
This volume of essays by internationally prominent scholars interprets the full range of Heidegger's thought and major critical interpretations of it. It explores such central themes as hermeneutics, facticity and Ereignis, conscience in Being and Time, freedom in the writings of his period of transition from fundamental ontology, and his mature criticisms of metaphysics and ontotheology. The volume also examines Heidegger's interpretations of other authors, the philosophers Aristotle, Kant and Nietzsche and the poets Rilke, Trakl and George. A final group of essays interprets the critical reception of Heidegger's thought, both in the analytic tradition (Ryle, Carnap, Rorty and Dreyfus) and in France (Derrida and Lévinas). This rich and wide-ranging collection will appeal to all who are interested in the themes, the development and the context of Heidegger's philosophical thought.
This investigation addresses a pressing anxiety of our time – that of homelessness. Tersely stated, the philosophical significance of homelessness in its more modern context can be understood to emerge with Nietzsche and his discourse on nihilism, which signals the loss of the highest values hitherto. Diverging from Nietzsche, Heidegger interprets homelessness as a symptom of the oblivion of being. The purpose of the present enquiry is to rigorously confront humanity’s state of homelessness, and at the same time illumine the extent to which Heidegger’s thought engages with this pervasive phenomenon. In questioning the nature of homelessness, Heidegger’s preoccupations with nihilism a...
A Companion to Francisco Suárez examines the thought of scholasticism’s Doctor eximius in its entirety: both philosophically and theologically. Many of the most distinctive features of Suárez’s thought are identified and evaluated in light of his immediate historical context. What emerges from the studies contained in this volume is the picture of a thinker who is profoundly steeped in the riches of divergent schools of thought and yet who manages to find his own unique voice to add to the chorus of scholasticism.
Martin Heidegger and Karl Marx remain two of the most influential thinkers in philosophy, in political science and other social sciences, and in the humanities. Yet there has never been a full-length study in English of the relationship between their ideas, and there has only been one study in German (from 1966). A Productive Dialogue fills this gap and contradicts the widely held assumption that Heidegger had no significant engagement with Marx. Hemming focuses on four related areas of inquiry—Heidegger’s reading of Marx; Marx’s relation to G. W. F. Hegel; Heidegger’s disastrous political involvement with National Socialism; and the significance of Hegel, Marx, Heidegger, and Friedrich Nietzsche for the politics of the twentieth and twenty-first centuries. A Productive Dialogue explores the understanding of political processes, systems, and behavior that animates both thinkers.
In Translating Heidegger, Groth points to mistranslations as the root cause of misunderstanding Heidegger. In this unique study, Groth examines the history of the first English translations of Heidegger's works and reveals the elements of Heidegger's philosophy of translation.
Although philosophers have examined and commented on music for centuries, Martin Heidegger, one of the greatest philosophers of the 20th century, had frustratingly little to say about music—directly, at least. This volume, the first to tackle Heidegger and music, features contributions from philosophers, musicians, educators, and musicologists from many countries throughout the world, aims to utilize Heidegger’s philosophy to shed light on the place of music in different contexts and fields of practice. Heidegger’s thought is applied to a wide range of musical spheres, including improvisation, classical music, electronic music, African music, ancient Chinese music, jazz, rock n’ roll...
This is a comprehensive and indispensable book for all serious anglophone students of Heidegger. Based upon but not limited to the Gesamtausgabe, its 261 entries provide bibliographic details of Heidegger's works in over 400 English versions. But Groth has put together more than an enumeration of titles. Among his other useful sections are: An alphabetical list of all the translators and what they have translated. The up-to-date contents of the Gesamtausgabe. Lists of videos, audio recordings, and audiobooks in German and English. Heidegger's texts which have been translated into English, listed both by title and by date of composition. Heidegger's lecture courses and seminars, listed by dates of composition, presentation, and publication. We can learn quite a bit about Heidegger just by scanning these chronologies, discerning a genetic progression in his thought, seeing not only what interests English translators, but also what interested him at the various stages of his career, and perhaps even gathering evidence to pinpoint the "turning(s)." Extensive cross-references enable easy movement among all categories.