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Amazigh Arts in Morocco
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait ...
Blackness in Morocco
"A groundbreaking study of Blackness in Morocco through the lens of visual representation"--
Chipeta
A compelling and factual book on the life and times of the Ute Indian Chief Ouray's beloved wife and trusted confidant, Chipeta.
Chipeta
Biography of the wife of Chief Ouray of the Ute Indians in Colorado. She was born Kiowa Apache. Her parents were both killed in a raid shortly after her birth. The Tabegauche (Uncompahgre) Utes found and raised her as their own. They named her Chipeta, meaning White Singing Bird. She was appointed to care for Chief Ouray's son after the death of his first wife, and in 1859 they were married.
Lights On!
Nineteen-year-old Ike Hoover was sent to the White House in 1891 by the Edison Electric Company to assist in the wiring for electric lights. Like many Americans at the time, President Benjamin Harrison and his wife were afraid of electricity. After completing the wiring job, Ike was asked to stick around to make the transition to electric lights easier. He stayed on as a White House employee for 42 years.
Caravans of Gold, Fragments in Time
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
Village Matters
Special attention is paid to the Berberist movement of 2001.
New Constellations
American culture changed radically over the course of the 1960s, and the culture of Hollywood was no exception. The film industry began the decade confidently churning out epic spectacles and lavish musicals, but became flummoxed as new aesthetics and modes of production emerged, and low-budget youth pictures like Easy Rider became commercial hits. New Constellations: Movie Stars of the 1960s tells the story of the final glory days of the studio system and changing conceptions of stardom, considering such Hollywood icons as Elizabeth Taylor and Paul Newman alongside such hallmarks of youth culture as Mia Farrow and Dustin Hoffman. Others, like Sidney Poitier and Peter Sellers, took advantage of the developing independent and international film markets to craft truly groundbreaking screen personae. And some were simply “famous for being famous,” with celebrities like Zsa Zsa Gabor and Edie Sedgwick paving the way for today’s reality stars.
Accounting for Tastes
The answers to these and many other questions about people's consumption patterns, Becker argues, have to do with the way preferences and values are shaped. Although these are central topics of social behavior, they have never been addressed in a systematic and analytical way. Becker applies the tools of modern economic analysis to just this topic, one that economists have traditionally left out of their models for rational choice.
