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The greatest threat to modern democracy comes from within and it has a name: resentment. Stemming from feelings of inferiority in relation to others, resentment is a diffuse and obsessive loathing, coupled with delusions of victimhood, which clouds one’s judgment and perspective, so that an individual’s capacity to act and heal is paralyzed. Without the ability to heal, resentment can give rise to violent impulses, to the rejection of the rule of law, the proliferation of conspiracy theories, and the urge to use violent means to try to regain control of one’s life. As individuals and as societies, we face the same challenge: how to diagnose resentment and its dark forces, and how to resist the temptation to allow it to become the motor of our individual and collective histories. This bestselling and highly original account of the psychic forces shaping modern societies will be of great interest to anyone concerned about the crisis of democracy today and what we can do to address it.
Discussions about the ‘crisis of representative democracy’ have dominated scholarly and public discourse for some time now. But what does this phrase actually entail, and what is its relevance today? How do citizens themselves experience, feel and respond to this ‘crisis’? Bitter-Sweet Democracy grapples with the complexities of these questions in the context of citizens’ relations to politics in Belgium—a nation that has experienced political instability and protests as well as social mobilization and democratic vitality in recent years. This timely and compelling volume offers new, empirical evidence on the state of trust, democracy and representation in Belgium; it further int...
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David Pryce-Jones believes that France has done more damage to the Middle East than any other country. France encouraged the mass immigration of Arabs and that huge and growing minority in the country now believes that it has rights and claims which have not been met. This minority also believes that Israel should not exist. Middle East geo-politics are spreading from French soil to an increasingly Islamized Europe.
What is Europe? What are the contents of the concept of Europe? And what defines European identity? Instead of only asking these classical questions, this volume also explores who asks these questions, and who is addressed with such questions. Who answers the questions, from which standpoints and for what reasons? Which philosophical, historical, religious or political traditions influence the answers? This book addresses its task in three parts. The first concentrates on the controversies around the meaning of Europe. The second focuses on the role of the European Union. The third discusses Europe and its relations to different types of otherness, or rather, non-European-ness. The volume produces a complex and plural picture of the concepts, ideas, debates and (ex)changes associated with the concept of Europe, and has a clear significance for today’s debates on European identity, Europeanization, and the EU.
Bringing together scholars from different disciplines and theoretical outlooks, this text examines how the power of imagination reverberates in the various ambits of social and political life - in law, history, art, gender, economy, religion and the natural sciences.
"Marc Ferro's account of the dark force of resentment and revenge in modern times is a salutary reminder of how much history of a high order can contribute to an understanding of our turbulent world. If you think fundamentalis Islam came out of the blue, then read this book and think again." Jay Winter, Yale University --
Charlotte Perriand (24 October 1903 - 27 October 1999) was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states, "The extension of the art of dwelling is the art of living-living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process. Her approach to design includes taking in the site and appreciating it for what it is. Perriand connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead. She is well known for the playful way in which she mixed and superposed materials and styles in most of the furniture she created during her career. Nonetheless, one of the most essential influence on her entire work has been the Japanese craftmanship that kept on inspiring her.
This edited book brings together scholarly chapters on linguistic aspects of humour in literary and non-literary domains and contexts in different parts of the world. Previous scholarly engagements and theoretical postulations on humour and the comic provide veritable resources for reexamining the relationship between linguistic elements and comic sensations on the one hand, and the validity of interpretive humour stylistics on the other hand. Renowned Stylistics scholars, such as Michael Toolan, who writes the volume’s foreword against the backdrop of nearly four decades of scholarly engagement with stylistics, and Katie Wales, who in this volume engages with Charles Dickens, one of the m...