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In the early twentieth century, Marguerite Zorach and Georgiana Brown Harbeson were at the forefront of the modern embroidery movement in the United States. In the first scholarly examination of their work and influence, Cynthia Fowler explores the arguments presented by these pioneering women and their collaborators for embroidery to be considered as art. Using key exhibitions and contemporary criticism, The Modern Embroidery Movement focuses extensively on the individual work of Zorach and Brown Harbeson, casting a new light on their careers. Documenting a previously marginalised movement, Fowler brings together the history of craft, art and women's rights and firmly establishes embroidery as a significant aspect of modern art.
This volume features 30 art-related travel articles by the American modern artist, Marguerite Thompson Zorach (1887-1968). The accompanying essay examines her life in Paris, the people she met, and the art she was exposed to.
How do tropical farmers think about, handle, and respond to fire? What is the role of fire in the coevolution of self, society, and environment? In the compelling narratives that make up this ethnography, the lives of Kodi women, men, and children unfold within an island landscape that has been shaped by 14,000 years of anthropogenic fires and 300,000 years of natural fires. Ignition Stories connects the Kodi people who design fires with their living kin and their ancient ancestors, then links them to nearby communities in neighboring hamlets, to other ethno-linguistic groups across Sumba, and to far-flung multiethnic, virtual coalitions. In this book, Fowler searches through Kodi people's m...
Taking the visual arts as its focus, this anthology explores aspects of cultural exchange between Ireland and the United States. Art historians from both sides of the Atlantic examine the work of artists, art critics and art promoters. Through a close study of selected paintings and sculptures, photography and exhibitions from the nineteenth century to the present, the depth of the relationship between the two countries, as well as its complexity, is revealed. The book is intended for all who are interested in Irish/American interconnectedness and will be of particular interest to scholars and students of art history, visual culture, history, Irish studies and American studies.
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Fully updated for the DSM-5 Text Revision (DSM-5-TR), this trusted guide presents the breadth of DSM diagnoses in an accessible, engaging, and clinically useful format. Master diagnostician James Morrison demystifies the dense DSM-5-TR criteria with more than 130 detailed case vignettes that illustrate typical patient presentations. Succinct descriptions of each disorder, along with many tips, side bars, tables, and caveats, capture the intricacies of psychiatric symptoms and impairments to make accurate diagnosis cleaner and simpler. For DSM-5-TR, Morrison has incorporated the new diagnosis of prolonged grief disorder, updates to over 70 criteria sets, new and revised ICD-10-CM codes, and vignettes for additional subtypes. See also Morrison's Diagnosis Made Easier, Second Edition, which offers principles and decision trees for integrating diagnostic information from multiple sources; The First Interview, Fourth Edition, which presents a framework for conducting thorough, empathic initial evaluations; and The Mental Health Clinician's Workbook, which uses in-depth cases and carefully constructed exercises to build the reader's diagnostic skills.
How does museum location shape the interpretation of an art object by critics, curators, art historians, and others? To what extent is the value of a work of art determined by its location? Providing a close examination of individual works of American art in relation to gallery and museum location, this anthology presents case studies of paintings, sculpture, photographs, and other media that explore these questions about the relationship between location and the prescribed meaning of art. It takes an alternate perspective in that it provides in-depth analysis of works of art that are less well known than the usual American art suspects, and in locations outside of art museums in major urban...
Biosocial Synchrony on Sumba: Multispecies Relationships and Environmental Variations in Indonesia examines biosocial change in the Austronesian community of the Kodi by examining multispecies interactions between select biota and abiota. Cynthia T. Fowler describes how the Kodi people coordinate their mundane and ritual practices with polychaetes and celestial bodies, and how this synchrony encourages and is encouraged by social and ecological variations. Fowler grounds her anthropogenic environmental research with information from geospatial science, marine ecology, astronomy, physics, and astrophysics.