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A Rhetoric of Symbolic Identity
This study explores African-American identity through film, drawing from Spike Lee's cinematic production of X (1992) and Bamboozled (2000). The study brings attention to how African-American identity is negotiated in communicative interactions. In doing so, the study proposes an alternative rhetorical and cultural approach to the nuances of African-American identity. Using contemporary theories from Ronald Jackson, Mark McPhail, Cornel West, W.E.B. Du Bois, and Eric Watts, the researcher explores the dynamics of human interaction: the manifestations of power, perception, essentialist thinking, and how these in turn penetrate through language in our understanding of others. This study makes critical arguments concerning the strategic positioning of language for purposes of understanding culture and difference. More importantly, it rearticulates black identity, making an argument for its complexities, which are other than historical and factual. It argues that black identity needs to be examined in terms of a more critical and culturally appropriate rhetoric.
Framing Female Lawyers
"The book asks important questions about the seemingly taken for granted quality of feminist perspectives on gender and work, about the ways in which both the codes of law and those of genre "frame" the female lawyer, and about the persistence of anxious constructions of successful women." —Cineaste "This book shows how the professional woman of popular film has so often been given a half measure of authority and agency in narratives which, though they may register patriarchal crisis, are also deeply dedicated to patriarchal restoration. Lucia convincingly illustrates how the female lawyer's status as a figure with access to the public sphere and to the law most often necessitates that she...
Modern British Drama on Screen
The first comprehensive study of British and American films adapted from modern British plays.
Lucia the Luchadora
Lucía zips through the playground in her cape just like the boys, but when theytell her "girls can't be superheroes," suddenly she doesn't feel so mighty. That'swhen her beloved abuela reveals a dazzling secret: Lucía comes from a family ofluchadoras, the bold and valiant women of the Mexican lucha libre tradition.Cloaked in a flashy new disguise, Lucía returns as a recess sensation! But whenshe's confronted with a case of injustice, Lucía must decide if she can stay true tothe ways of the luchadora and fight for what is right, even if it means breaking thesacred rule of never revealing the identity behind her mask. A story about courageand cultural legacy, Lucía the Luchadora is full of pluck, daring, and heart.
The Judge, the Judiciary and the Court
Revealing analysis of how judges work as individuals and collectively to uphold judicial values in the face of contemporary challenges.
Authorship in Film Adaptation
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Autho...
The Movie Musical
"With the release of each new musical film, critics ask, "Has the musical returned?" The very frequency of the question would seem to belie its implication. Indeed, while musicals have changed over time, they have never truly gone away. This point becomes especially clear if we look beyond the "golden age" of the 1940s and 50s, beyond Hollywood, and even beyond the United States. The Movie Musical is a thematic exploration of the genre with a focus on how the musical changes and adapts in order to preserve its own relevance. From The Jazz Singer (1927), The Sound of Music (1965) to La La Land (2016) and The Greatest Showman (2017) and many more, the book traverses time and space, from the cl...
A Hidden History of Film Style
The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth centuryÑsuch as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert BurksÑthis pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.
Sound in the American Horror Film
The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages.
