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The Cambridge Companion to the Literature of New York
A portrait of the diverse literary cultures of New York from its beginnings as a Dutch colony to the present.
Emergent U.S. Literatures
Emergent U.S. Literatures introduces readers to the foundational writers and texts produced by four literary traditions associated with late-twentieth-century US multiculturalism. Examining writing by Native Americans, Hispanic Americans, Asian Americans, and gay and lesbian Americans after 1968, Cyrus R. K. Patell compares and historicizes what might be characterized as the minority literatures within “U.S. minority literature.” Drawing on recent theories of cosmopolitanism, Patell presents methods for mapping the overlapping concerns of the texts and authors of these literatures during the late twentieth century. He discusses the ways in which literary marginalization and cultural hybr...
Lucasfilm
"From Star Wars: A New Hope to The Rise of Skywalker, this is the first complete assessment and philosophical exploration of the Lucasfilm universe. Lucasfilm examines the ways these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory. Cyrus Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a film director be both an auteur and a corporation? More than any other film franchise, Star Wars and Lucasfilm have become part of the cultural imagination. The passionate fan base has played a decisive role in the themes, content, casting and direction of George Lucas' oeuvre. Within these pages, Patell explores what it means for films and their creator to become part of cultural history in an unprecedented way"--
More Than Meets the Eye
Americans and other English speakers have long associated the name of Hans Christian Andersen exclusively with fairy tales for children. Danes and other Scandinavians, however, have preserved an awareness that the fairy tales are but part of an extensive and respectable lifework that embraces several other literary forms. Moreover, they have never lost sight of the fact that the fairy tales themselves address adults no less than children. Significantly, many of Andersen's coevals in the U.S. knew of his broader literary activity and the sophistication of his fairy tales. Major authors and critics commented on his various works in leading magazines and books, establishing a noteworthy corpus of criticism. One of them, Horace E. Scudder, wrote a seminal essay that surpassed virtually all contemporary writing on him in any language. The basic purpose of this study, the first of its kind, is to trace the course of American Andersen criticism over the second half of the nineteenth century and to view it in several American contexts.
Site Reading
Site Reading offers a new method of literary and cultural interpretation and a new theory of narrative setting by examining five sites—supermarkets, dumps, roads, ruins, and asylums—that have been crucial to American literature and visual art since the mid-twentieth century. Against the traditional understanding of setting as a static background for narrative action and character development, David Alworth argues that sites figure in novels as social agents. Engaging a wide range of social and cultural theorists, especially Bruno Latour and Erving Goffman, Site Reading examines how the literary figuration of real, material environments reorients our sense of social relations. To read the...
American Literature from 1600 Through the 1850s
Fiercely nationalistic, the first prominent American writers exhibited a profound pride in the territory that would come to be known as the United States. Predating even the Declaration of Independence, much early American writing entailed commentary on the newly developing American society. This volume examines the literature of the country in its nascence and writers such as Poe, Hawthorne, and Emerson, who helped cultivate a uniquely American voice.
American Literature from the 1850s to 1945
Deviating from the romanticism of earlier works, American literature that emerged after the mid-19th century adopted a distinct realism and an often critical view of American society. With penetrating analyses, writers such as Henry Adams and Upton Sinclair exposed fundamental flaws in government and industry, while Mark Twain and H.L. Mencken incisively satirized social ills such as prejudice and intolerance. Readers will encounter these and other great minds whose fluid pens challenged the status quo.
American Literature from 1945 Through Today
Perhaps the most defining characteristic of American literature composed after World War II is the rejection of conventional form and structure with its increasingly uninhibited and experimental style. Embracing works from previously marginalized groups like African Americans and women and ushering in new genres, contemporary American literature has progressively begun to mirror the American population in diversity and versatility. In this volume, readers are invited to think critically about the social issues and ideas that are as much a part of modern American life as they are of modern American literature.
Staged Readings
Staged Readings studies the social consequences of 19th-century America’s two most prevalent leisure forms: theater and popular literature. In the midst of watershed historical developments—including numerous waves of immigration, two financial Panics, increasing wealth disparities, and the Civil War—American theater and literature were developing at unprecedented rates. Playhouses became crowded with new spectators, best-selling novels flew off the shelves, and, all the while, distinct social classes began to emerge. While the middle and upper classes were espousing conservative literary tastes and attending family matinees and operas, laborers were reading dime novels and watching do...
Cosmopolitanisms
An indispensable collection that re-examines what it means to belong in the world. "Where are you from?" The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a “kosmo-polites,” or citizen of the world. Cosmopolitanism displays two impulses—on the one hand, a detachment from one’s place of origin, while on the other, an assertion of membership in some larger, more compelling collective. Cosmopolitanisms works from the premise that there is more than one kind of cosmopolitanism, a plurality that insists cosmopolitanism can no longer stand as a single ideal against which all smaller loyalties and forms of belonging are ...
