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Left in Transformation
This book takes an innovative look at international relations. Focusing on the worldwide campaign against abuses by the right-wing authoritarian regime in Uruguay (1973-1984), it explores how norms and ideas interact with political interests, both global and domestic. It examines joint actions by differently-motivated actors such as the leftist activists who had to flee Uruguay in these years, the Organization of American States, The United Nations, Amnesty International, and the United States. It traces language and procedures for making their claims. The chief goal, however, is to peruse the specific reasons that led these actors to endorse the central core of liberal rights that gave foundation to this system. A close examination of the available documents shows that even as they joined efforts to protest abuses, they were still pursuing their individual agendas, which is often overlooked in the existing scholarship on human rights transnational activism. The book pays special attention to the Uruguayan exiles, analyzing why and how leftist activists and leaders adopted the human rights language, which had so far been used to attack communism in the context of the Cold War.
Of Light and Struggle
During the country's dictatorship from 1973 to 1985, Uruguayans suffered under crushing repression, which included the highest rate of political incarceration in the world. In Of Light and Struggle, Debbie Sharnak explores how activists, transnational social movements, and international policymakers collaborated and clashed in response to this era and during the country's transition back to democratic rule. At the heart of the book is an examination of how the language and politics of human rights shifted over time as a result of conflict and convergence between local, national, and global dynamics. Sharnak examines the utility and limits of human rights language used by international NGOs, ...
Uruguay, 1968
Students take to the streets -- Coordinates of a cycle of protest -- On violence -- The unions and the movement -- The Lefts and the students -- Paths and paradoxes of revolutionary action -- Militant mystiques -- Youth cultures -- More nuances -- Conclusion : 1968 and the emergence of a "New Left
Latin American Cinema
Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or...
The Justice Cascade: How Human Rights Prosecutions Are Changing World Politics (The Norton Series in World Politics)
Acclaimed scholar Kathryn Sikkink examines the important and controversial new trend of holding political leaders criminally accountable for human rights violations. Grawemeyer Award winner Kathryn Sikkink offers a landmark argument for human rights prosecutions as a powerful political tool. She shows how, in just three decades, state leaders in Latin America, Europe, and Africa have lost their immunity from any accountability for their human rights violations, becoming the subjects of highly publicized trials resulting in severe consequences. This shift is affecting the behavior of political leaders worldwide and may change the face of global politics as we know it. Drawing on extensive research and illuminating personal experience, Sikkink reveals how the stunning emergence of human rights prosecutions has come about; what effect it has had on democracy, conflict, and repression; and what it means for leaders and citizens everywhere, from Uruguay to the United States. The Justice Cascade is a vital read for anyone interested in the future of world politics and human rights.
Handbook of Latin American Studies, Vol. 76
Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas.
The Politics Of Pain
Although a wave of democratization appears to be sweeping the globe, torture persists in more than seventy-five nations. Despite widespread condemnation of torture and the efforts of international and nongovernmental organizations to end it, the "politics of pain" continues in a broad range of social and political systems. This book is one of the first to systematically examine the psychological, cultural, and social origins of torture. It provides profiles of torturers and of those who direct them in their brutal activities. The contributors provide case studies from the past and present, including Somoza's National Guard in Nicaragua and regimes in the Southern Cone of Latin America and in Greece.
Galeano
Este fascinante relato de la vida de Eduardo Galeano, la primera biografía que se ha publicado sobre él, es un juego de cajas chinas de donde, tras la reciente y triste noticia de su muerte, emerge la figura de un hombre político, de un periodista, de un escritor que ha entramado como pocos el transcurrir de una vida con la historia con mayúsculas. Para Fabián Kovacic, periodista y autor, la escritura de este único documento sobre la vida de un auténtico icono de la literatura latinoamericana, ha supuesto un medio y un fin. El fin es relatar la vida y la obra de una de las figuras más destacadas de las letras contemporáneas, y a la vez es un medio porque su relato sirve para pintar los dramáticos cambios políticos y sociales producidos en Latinoamérica tras la Segunda Guerra Mundial y a partir de la Revolución cubana. «Aquella noche me di cuenta de que yo era un cazador de palabras. Para eso había nacido. Esa iba a ser mi manera de estar con los demás después de muerto y así no se iban a morir del todo las personas y las cosas que yo había querido.» Eduardo Galeano
