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In Daniel Judson’s powerful new thriller, Bridgehampton auto mechanic Caleb Rakowski gets paid under the table at his friend Eric Carver's auto repair shop and lives in an apartment above. He's good at his job, he's a hard worker, and he’s making a decent living. But right now he's sheltering a pregnant friend who’ll do anything to keep her abusive husband away from herself and her baby. Cal has sworn to protect her; that's the kind of guy he is, a true friend. Little does he know, though, the trouble destined to come down on them over the course of three days---Mischief Night, Halloween, and the Day of the Dead---when he learns the truth about Eric Carver and what he's been hiding all these years. And little does Cal know how those lies will force him to risk everything to save the people closest to him. Daniel Judson is a craftsman of modern noir, an incredibly talented writer in the vein of Ellroy or Chandler but with the Hamptons in all their glitz and stark shadows as his canvas. Like his two previous Hamptons novels, The Water's Edge and The Darkest Place, The Violet Hour is tightly drawn, hauntingly atmospheric, and completely searing.
The rich don't have more secrets--they just bury them deeper Trouble always seems to find Declan MacManus . . . and it finds him again one rain-swept October night when the part-time P.I.--and full-time outsider--gets caught in the middle of a brutal homicide. To the rich and untouchable of Southampton, longtime locals like MacManus are little more than background scenery. Set up to take the fall in a nasty case of double-dealing and multiple murder, Mac follows a serpentine trail that leads through the murky waters of his past--and into the twisted heart of a prominent East End family he once knew well. As the lines between past and present, rich and poor, right and wrong begin to blur, a decades-old secret emerges from behind the closed doors of the Hamptons' moneyed enclaves--and a town sworn to protect its own declares open season on anyone who stands in its way. Mac is first in line. . .