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Until this volume was compiled, the results of the 1920 Olympics held in Antwerp, Belgium, have been far from complete. The Antwerp organizing committee typed up a report of the results almost as an afterthought because it was so financially strapped after the games. For some events only the medalists are listed, with little, if any, additional information. Very few copies were ever produced, and those few copies were in French. The seventh in a series on the early Olympics, this work fills a gap in the recording of early Olympics history by providing complete results for all competitors and all events (except for shooting, which has only partial information available). In virtually all cases, a 1920 source has been used in preference to a more modern source of information, and all details have been fully researched in contemporary newspapers, journals, and magazines and checked for accuracy by experts on various sports from all over the world.
In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gend...
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
At first glance, Lloyd Hamilton was a large, baby-faced comic who walked like a duck. To the trained eye, Hamilton demonstrated keen timing and an inventive mind, providing wry humor rich in emotion during his 20 year career. Perhaps most importantly, Hamilton was greatly admired by his fellow comics, receiving praise from the likes of Charlie Chaplin and Buster Keaton. This book explores Hamilton's life and work, beginning with his conservative, middle-class childhood and continuing through the comic's entry into show business as a theatre extra, his most memorable role as half of silent comedy's "Ham and Bud" duo, and his first feature film, The Darker Self. The author examines Hamilton's private life and alcoholism and the decline of his health and career, which led to his death at the age of 43. The book includes exclusive photographs from the Hamilton family, a filmography with detailed plot descriptions, many behind-the-scenes facts, and an analysis of Hamilton's critical lost feature film A Self-Made Failure.
The UK Directory of Executive Recruitment is a comprehensive source of information on the UK's executive search and selection consultancies.
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.