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A Guide to German Progressive and Electronic Rock This definitive guide to German rock music covers the period from the 1960s to the present day and includes: An A - Z of groups, index of musicians, listing of key record labels, and a bibliography. Includes hundreds of B & W photographs and eight pages of colour plates. Stupendous.
1968 - 1980 in more than 20 European Countries Provides a comprehensive guide to progressive rock and related music forms in more than 20 European Countries. The entries contain personnel details, discographies and a description of the music. There is currently no similar English language encyclopaedic guide to the music of these countries. A perfect companion to the earlier publication Cosmic Dreams At Play.
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances'ranging from the scenarios of everyday interactions to `cultural performances? such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media'that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but som...
In Listening to the Future, Bill Martin sets the scene for the emergence of progressive rock and examines the most important groups, from the famous to the obscure. He also surveys the pathbreaking albums and provides resources for readers to explore the music further. "Written with the insights of an academic, the authority of a musicologist, and—best of all—the passion of a true fan. Martin charts topographic oceans, courts crimson kings, does some brain salad surgery, and generally rocks out in 7/8 time." —Jim DeRogatis Sun-Times music critic
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
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