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An alien disease. A cryptic bloodline. An ancient feud between worlds. Well. It's nothing a little swagger can't handle. Damian Riddle's sick of bouncing around the known galaxy in search of a cure for the alien disease that's been plaguing him for months. He hasn't felt up to robbing a single pirate ship, or breaking into any cartel supply stashes. It's inconvenient, at best. Also, he's got a feeling the illness just might be fatal. The only solution? To start searching the unknown galaxy for a cure. And Damian knows how to do it. But when a nosy reporter stows away in his smuggling compartment, throwing off his calculations, the ship slingshots them both to an unknown location–where political maneuvering is the status quo and sinister mysteries cast shadows over the crystalline beauty of the alien city. If Damian can't figure out where the heck they are–and whether these aliens can help him with a cure–his ailment is sure to kill him. And with his symptoms growing worse, he fears the fallout may not be contained to one man…
The bestselling author of Close My Eyes returns with a chilling psychological thriller. Julia has always been the friend that Livy turns to when life is difficult. United fifteen years ago by grief at the brutal murder of Livy's sister, Kara, they've always told each other everything. Or so Livy thought. So when Julia is found dead in her home, Livy cannot come to terms with the news that she chose to end her own life. The Julia that Livy knew was vibrant and vivacious, a far cry from the selfish neurotic that her family seem determined to paint her as. Troubled by doubt but alone in her suspicions, Livy sets out to prove that Julia was in fact murdered. But little does she realise that digging into her best friend's private life will cause her to question everything she thought she knew about Julia. And the truth that Livy discovers will tear the very fabric of her own life apart.
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
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The term "slasher film" was common parlance by the mid-1980s but the horror subgenre it describes was at least a decade old by then--formerly referred to as "stalker," "psycho" or "slice-'em-up." Examining 74 movies--from The Texas Chainsaw Massacre (1974) to Texas Chainsaw 3D (2013)--the author identifies the characteristic elements of the subgenre while tracing changes in narrative patterns over the decades. The slasher canon is divided into three eras: the classical (1974-1993), the self-referential (1994-2000) and the neoslasher cycle (2000-2013).
How did Friday the 13th begin as a movie about a grieving mother killing camp counselors and spawn a movie in which a nanobot enhanced, hockey masked man destroys a space station? Similarly, how did A Nightmare on Elm Street evolve from a film by Wes Craven about Freddy Krueger into a film about Wes Craven making a Freddy Krueger movie? Film series are destined to change with time, but horror film series are often unrecognizable after multiple sequels and reboots. This work examines horror films and their sequels to determine the glue that holds individual franchises together, which films matter to a series' continuity, which should be considered as canon, and what goes into the process of continuing--or, in some cases, abandoning--the overarching storyline. Series covered include Friday the 13th, Halloween, Child's Play, A Nightmare on Elm Street, Leprechaun, and Scream.
Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.
Insightful interviews of horror legends George Romero, John Landis, Joe Dante, Brian Yuzna, and more, by former editor-in-chief of Rue Morgue, Dave Alexander, about the scariest horror movies never made! Take a behind-the-scenes look into development hell to find the most frightening horror movies that never were, from unmade Re-Animator sequels to alternate takes on legendary franchises like Frankenstein and Dracula! Features art, scripts, and other production material from unmade films that still might make you scream--with insights from dozens of directors, screenwriters, and producers with decades of experience. Featured Interviews With: George A. Romero John Landis Joe Dante Vincenzo Natali Brian Yuzna William Lustig William Malone Buddy Giovinazzo Tim Sullivan Richard Raaphorst Ruggero Deodato Jim Shooter Bob Layton David J. Skal
Beautifully illustrated with hundreds of 4-color images from the movies you love, this book is the last one you will need to understand the artistic and technical considerations of making a genre film. Author Danny Draven walks you through the aesthetic, narrative, and camera techniques necessary to understand the basic formula that genre adheres to, and then shows you how to create an original work within that context. Draven will show you a technique or narrative structure from a popular movie, reveals the craftsmanship required to achieve it, then tells you how and when it should or shouldn't be used. Interviews from the Hollywood directors and cinematographers using these techniques are included, as well as a companion site with video examples of the techniques and concepts within the book.
This book presents a series of pedagogical experiments translating climate science, environmental humanities, material research, ecological practices into the architectural curriculum. Balancing the science and humanities, it exposes recent pedagogical experiments from renown educators, while also interrogating a designer’s agency between science and speculation in the face of climate uncertainty. The teaching experiments are presented across four sections: Abstraction, Organization, Building, and Narrative, exposing core parts of an architect’s education and how educators can simultaneously provide fundamental skills and constructive literacy while instigating environmental sensibilitie...