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Both ancient and urgent, baffling and strangely familiar, megaliths are resonant presences in the landscapes. In this book, 11 well-known writers offer compelling engagements with 11 megalithic sites in Britain and Ireland. These essays lyrically animate cold stone and map dramatic emotional terrain.
Published to mark the centenary of Roald Dahl’s (Welsh) birth, Roald Dahl: Wales of the Unexpected breaks new ground by revealing the place of Wales in the imagination of the writer known as ‘the world’s number one storyteller’. Exploring the complex conditioning presence of Wales in his life and work, the essays in this collection dramatically defamiliarise Dahl and in the process render him uncanny. Importantly, Dahl is encountered whole – his books for children and his fiction for adults are read as mutually invigorating bodies of work, both of which evidence the ways in which Wales, and the author’s Anglo-Welsh orientation, demand articulation throughout the career. Recognisi...
In Damian Walford Davies's compellingly eerie new poetry collection, Docklands - A Ghost Story, a louche architect is haunted by the ghost of a young girl through the booming docklands of Victorian Cardiff and the bourgeois drawing rooms of the expanding city.
Cartographies of Culture: New Geographies of Welsh Writing in English offers a pioneering new examination of the links between maps and imaginative writing. Concerned to draw literary studies and geography into a fruitful dialogue, the book offers a genuinely interdisciplinary study of literary texts in relation to the spatialities of culture. Taking the anglophone literature of Wales as its main ‘data field’, the book offers a boldly imaginative and stringently theorised analysis of five literary ‘maps’. What emerges is nothing less than a new way of reading literature through, and as, maps.
Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date – and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.
With the narrative pull of a novel and the vibrancy of a play for voices, Damian Walford Davies's Witch offers a thrilling portrait of a Suffolk village in the throes of the witchcraft hunts of the mid-seventeenth century. The poems in this collection are dark spells, compact and moving: seven sections, each of seven poems, each of seven couplets, are delivered by those most closely involved in the 'making' of a witch. The speakers - from Thomas Love the priest, the villagers who slowly succumb to suspicion and counter-accusation, the 'discoverer of witches' Francis Hurst, and the 'witch' herself - authentically conjure a war-torn society in which religious paranoia amplifies local grievances to fever pitch. Witch is a damning parable that chimes with the terror and anxieties of our own haunted age.
An innovative, interdisciplinary study of cartography as a significant multifaceted cultural practice in Romantic period culture.
Victorian Cardiff – the world's busiest port, booming on the back of the coal mined in the Welsh valleys. It is 1890, and three dark terraces down the docks are to be levelled to make way for a new square. The commission is given to the chief of a successful Cardiff architectural firm – a man supremely sure of himself. Yielding to docklands' temptations, he becomes ever more estranged from a wife tormented by the death of their child. As the square rises from the ruins of the terraces, the louche architect encounters 'the girl'. A disquieting fin-de-siècle ghost story in verse, Docklands explores grey worlds at the edges of the eye, conjuring late-Victorian Cardiff's hustling, booming, ...
A bilingual volume providing a glimpse of the lost mansions of Wales, including 74 striking black-and-white photographs by Paul White perfectly interwoven with the atmospheric prose of Damian Walford Davies and Sian Melangell Dafydd.
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.