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The Brutish Museums
Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.
Lande: The Calais 'Jungle' and Beyond
Available Open Access under CC-BY-NC licence. How can Archaeology help us understand our contemporary world? This ground-breaking book reflects on material, visual and digital culture from the Calais “Jungle” – the informal camp where, before its destruction in October 2016, more than 10,000 displaced people lived. LANDE: The Calais 'Jungle' and Beyond reassesses how we understand ‘crisis’, activism, and the infrastructure of national borders in Refugee and Forced Migration Studies, foregrounding the politics of environments, time, and the ongoing legacies of empire. Introducing a major collaborative exhibit at Oxford’s Pitt Rivers Museum, the book argues that an anthropological focus on duration, impermanence and traces of the most recent past can recentre the ongoing human experiences of displacement in Europe today.
I Scare Myself
This vivid memoir of a man described as “one of America’s greatest songwriters” by Elvis Costello, and a cat that was “fly, sly, wily, and dry” by Tom Waits. Dan Hicks had a front-row seat to the birth and death of counter culture -- San Francisco, 1966 -- it would affect both him and his music. I Scare Myself captures the highs and lows of a lifelong adventure in music. You’ll get to see Hicks’ memories of one of the changes the 60s brought, working with great musicians, plus, a foreward by Elivs Costello; and afterword by producer Tommy LiPuma; and annotations by his close friend Kristine McKenna. “I just started taking ingredients I liked and putting them together to see what came out,” Hicks writes. What came out was an amazing blend of complex time signatures, unusual instrumentation, and intricate vocal harmonies that took him to the top of the 70s rock world but also into a downward spiral of drink and drug abuse. Hicks passed away in early 2016, but his music, and the stories he tells here, remain as fresh and irresistible as ever. I Scare Myself takes readers on a journey behind the music, and into the life and mind of the fantastic artist who created it.
The Oxford Handbook of Material Culture Studies
Written by an international team of experts, the Handbook makes accessible a full range of theoretical and applied approaches to the study of material culture, and the place of materiality in social theory, presenting current thinking about material culture from the fields of archaeology, anthropology, geography, and science and technology studies.
The Cambridge Companion to Historical Archaeology
An introduction to the ways in which archaeologists study the recent past (c.AD 1500 to the present).
What Is History, Now?
This groundbreaking new collection addresses the burning issue of how we interpret history today. What stories are told, and by whom, who should be celebrated, and what rewritten, are questions that have been asked recently not just within the history world, but by all of us. Featuring a diverse mix of writers, both bestselling names and emerging voices, this is the history book we need NOW. WHAT IS HISTORY, NOW? covers topics such as the history of racism and anti-racism, queer history, the history of faith, the history of disability, environmental history, escaping imperial nostalgia, hearing women's voices and 'rewriting' the past. The list of contributors includes: Justin Bengry, Leila K Blackbird, Emily Brand, Gus Casely-Hayford, Sarah Churchwell, Caroline Dodds Pennock, Peter Frankopan, Bettany Hughes, Dan Hicks, Onyeka Nubia, Islam Issa, Maya Jasanoff, Rana Mitter, Charlotte Riley, Miri Rubin, Simon Schama, Alex von Tunzelmann and Jaipreet Virdi.
Loot
A Prospect Best Book of 2021 ‘A fascinating and timely book.’ William Boyd ‘Gripping…a must read.’ FT ‘Compelling…humane, reasonable, and ultimately optimistic.’ Evening Standard ‘[A] valuable guide to a complex narrative.’ The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art. The ‘Benin Bronzes’ are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?
The Secret Life of Walter Kitty
Walter Kitty is no ordinary housecat. He's Fang—a swashbuckling protector of the high seas, a tiger waiting to pounce on unsuspecting prey, and a caped superhero ready to save the day. But do his "people," Mr. and Mrs. Biddle, acknowledge his greatness? Not even!So once in a good long while, Walter will answer to Wally or Kitten or even Snookums, but most of the time . . . he's Fang!With a hilarious text by Barbara Jean Hicks and fabulously fun illustrations by Dan Santat, Walter Kitty is one cat readers will not soon forget!
Lande: The Calais 'Jungle' and Beyond
Available Open Access under CC-BY-NC licence. How can Archaeology help us understand our contemporary world? This ground-breaking book reflects on material, visual and digital culture from the Calais “Jungle” – the informal camp where, before its destruction in October 2016, more than 10,000 displaced people lived. LANDE: The Calais 'Jungle' and Beyond reassesses how we understand ‘crisis’, activism, and the infrastructure of national borders in Refugee and Forced Migration Studies, foregrounding the politics of environments, time, and the ongoing legacies of empire. Introducing a major collaborative exhibit at Oxford’s Pitt Rivers Museum, the book argues that an anthropological focus on duration, impermanence and traces of the most recent past can recentre the ongoing human experiences of displacement in Europe today.
Simplicity, Equality, and Slavery
"A significant empirical contribution to the transdisciplinary study of eighteenthcentury Atlantic history and the colonial history of the Christian Church."--Dan Hicks, author of The Garden of the World: An Historical Archaeology of Sugar Landscapes in the Eastern Caribbean "Thoughtfully applies practice theory to the concept of Quakerism as a religion, while simultaneously examining how Quaker practices shaped the lives not only of practitioners but those they enslaved."--James A. Delle, author of The Colonial Caribbean: Landscapes of Power in the Plantation System "A nuanced look at Quakerism and its relationship with slavery."--Patricia M. Samford, author of Subfloor Pits and the Archaeo...
