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The Comedy of Charlie Chaplin
From his early shorts in the 1910s through his final film in 1967, Charlie Chaplin's genius embraced many arts: mime, dance, acting, music, writing, and directing. The Comedy of Charlie Chaplin: Artistry in Motion examines Chaplin's fusion of these arts in his films, providing new understanding of how movement communicates, how comedy routines are structured, and how stage skills can be translated to the screen. An acclaimed comic performing artist himself, Dan Kamin brings a unique insider's perspective to the subject. He explores how Chaplin's physical virtuosity led him to create the timeless visual comedy that brought silent films to their peak. Kamin uncovers the underlying principles b...
Charlie Chaplin's One-man Show
A reprint of the 1984 original, in which mime Kamin examines Chaplin's performance techniques. Foreword by Marcel Marceau. Annotation copyrighted by Book News, Inc., Portland, OR
Bringing the Body to the Stage and Screen
As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves. In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a gene...
Charlie Chaplin's Red Letter Days
By the end of 1914, Charlie Chaplin had become the most popular actor in films, and reporters were clamoring for interviews with the comedy sensation. But no reporter had more access than Fred Goodwins. A British actor who joined Chaplin’s stock company in early 1915, Goodwins began writing short accounts of life at the studio and submitted them to publications. In February 1916 the British magazine Red Letter published the first of what became a series of more than thirty-five of Goodwins’s articles. Written in breezy prose, the articles cover a two-year period during which Chaplin’s popularity and creativity reached new heights. Only one copy of the complete series is known to exist,...
Chaplin
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Movement for Actors
In this rich resource for American actors, renowned movement teachers and directors reveal the physical skills needed for the stage and screen. Experts in a wide array of disciplines provide remarkable insight into the Alexander technique, the use of psychological gesture, period movement, the work of Rudolph Laban, postmodern choreography, and Suzuki training, to name but a few. Those who want to pursue serious training will be able to consult the appendix for listings of the best teachers and schools in the country. This inspiring collection is a must read for all actors, directors, and teachers of theater looking for stimulation and new approaches.
Watching Other People Work
WATCHING OTHER PEOPLE WORK, volume three of an autobiography by Peter Carnahan, covers the 18-plus years the author worked as Director of the Theatre and Literature Programs of The Pennsylvania Council on the Arts. This time, from 1972 to 1991, was a period of enormous growth for the arts in Pennsylvania and the nation. Reflecting that growth, the PCA budget grew from $286,000 to $12 million during the period. During the second decade covered by this volume, Carnahan began his next career, as a writer, publishing his first nonfiction book in 1989.
The Timing of Lawmaking
Legal reasoning, pronouncements of judgment, the design and implementation of statutes, and even constitution-making and discourse all depend on timing. This compelling study examines the diverse interactions between law and time, and provides important perspectives on how law's architecture can be understood through time. The book revisits older work on legal transitions and breaks new ground on timing rules, especially with respect to how judges, legislators and regulators use time as a tool when devising new rules. At its core, The Timing of Lawmaking goes directly to the heart of the most basic of legal debates: when should we respect the past, and when should we make a clean break for the future?
The Essence of Chaplin
Charlie Chaplin's remarkable life and comedic talent have been the focus of countless popular and scholarly studies. In this groundbreaking work, Chaplin's often underrated skills as a film director take center stage. Highlighting the screen icon's significance as a filmmaker, this study focuses on the heart of Chaplin's cinema--his silent works starring his alter-ego, Charlie--and examines both his great silent film features like The Kid, The Gold Rush and Modern Times, and his shorter, earlier films like The Immigrant, The Pawn Shop, The Pilgrim and A Dog's Life. An analysis of the formal properties of Chaplin's filmmaking reveals the merit of his cinema, the depth of its emotion and the extent of its meaning. Chaplin is among the great artists of any medium, in any time, with an ability to touch on very subtle aspects of the human condition.
The Aesthetics of Antifascist Film
Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods. Emerging during a critical moment in film history—1930s/1940s Hollywood— cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic c...
