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Art Out of Time
"Before the rise of underground comics in the late 1960s, there was no place for eccentric talent in the comics industry. Rather than creating super heroes like Superman and Spider-Man, comic strips like Peanuts and Krazy Kat, or graphic novels like Jimmy Corrigan: The Smartest Kid on Earth and Ghost World, the artists represented in Art Out of Time created their own "ingenious" versions of the super hero, western, romance, humor, and horror genres that dominated the comics of their day." "Their visions found a home, but were mostly obscured by the more accessible mainstream work of others. These artists have a distinct, fully formed visual sensibility, and their comics stray from the usual ...
Art in Time
. . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).
Where Demented Wented
This book, the first retrospective of Hayes' career ever published, features the best of his underground comics output alongside paintings, covers, and artifacts rarely seen by human eyes—as well as astounding, previously unprinted comics from his teenage years and movie posters for his numerous homemade films. The Comics and Art of Rory Hayes also serves as a biography and critique with a memoir of growing up with Rory by his brother, the illustrator Geoffrey Hayes, and a career-spanning essay by Edward Pouncey. Also included is a rare interview with Hayes himself. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
Return to Romance
By turns amusing and disturbing, this collection of 1960s romance comic strips provides a provocative window into male-female power dynamics as conceived by one of mid-century America's foremost comic book artists. Ogden Whitney was one of the unsung masters of American comics. He is perhaps best remembered for co-creating the satirical superhero Herbie Popnecker, also known as the Fat Fury, but his romance comics of the late 1950s and 1960s may be even more unique. In Whitney’s hands, the standard formula of meet-cute, minor complications, and final blissful kiss becomes something very different: an unsettling vision of midcentury American romance as a devastating power struggle, a form of intimate psychological warfare dressed up in pearls and flannel suits. From suburban lawns and offices to rocket labs and factories, his men and women scheme and clash, dominate and escape. It is darkly hilarious, truly terrifying—and yes, occasionally even a bit romantic.
Electrical Banana
"Electrical Banana is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields. With a deft combination of hundreds of unseen images and exclusive interviews and essays, Electrical Banana aims to revise the common persception of psychedelic art, showing it to be more innovative, compelling, and revolutionary than was ever thought before."--P. [4] of cover.
The Ganzfeld #2
Edited by Daniel Nadel and Peter Buchanan Smith. Artists include: Edward Fella, Steven Guarnaccia, Red Grooms, Steven Heller, Maira Kalman, Gary Panter, Richard McGuire, Chris Ware.
Crumb
The first biography of Robert Crumb—one of the most profound and influential artists of the 20th century—whose iconic, radically frank and meticulously rendered cartoons and comics inspired generations of readers and cartoonists, from Art Spiegelman to Alison Bechdel. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-century America into an instantly recognizable and popular aesthetic, as iconic as Walt Disney or Charles Schulz. Now, for the first time, Dan Nadel, a curator and writer specializing in comics and...
The Collected Hairy Who Publications 1966-1969
Accompanies the exhibition "What Nerve! Alternative Figures in American Art" held at Matthew Marks Gallery, New York, July 7-August 14, 2015.
Return of the Repressed
Destroy All Monsters were an influential Detroit group that made music, art, zines and an elaborate junk-based self-mythology. Two of its members have become renowned artists: Mike Kelley and Jim Shaw. But aside from the zines, the actual output by the members has never been examined as independent art objects. This is the first retrospective of the artwork itself, as opposed to the zines and memorabilia produced. Nearly all of this work has never been published. Included are dozens of candid photographs of the group, offering a snapshot of a proto-punk unit.
It's Life as I See it
Originally published by Chicago's Black press, long neglected by mainstream publishing, and now included in a Museum of Contemporary Art Chicago exhibition, these comics showcase some of the finest Black cartoonists. Between the 1940s and 1980s, Chicago’s Black press—from The Chicago Defender to the Negro Digest to self-published pamphlets—was home to some of the best cartoonists in America. Kept out of the pages of white-owned newspapers, Black cartoonists found space to address the joys, the horrors, and the everyday realities of Black life in America. From Jay Jackson’s anti-racist time travel adventure serial Bungleton Green, to Morrie Turner’s radical mixed-race strip Dinky Fe...
