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This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We’ll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm’s career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits ...
The Myth of Presidential Representation evaluates the nature of American presidential representation, questioning the commonly held belief that presidents represent the community at large.
A fascinating glimpse into Britain's rich documentary traditions This comprehensive view of an overlooked subject brings together leading postwar British documentary photographers, including Mike Abrahams, Meredith Andrews, Rachel Louise Brown, John Davies, Ken Grant, Daniel Meadows, Roy Mehta, Peter Mitchell, David Moore, Tish Murtha, John Myers, Martin Parr and many more.
Offering readable case studies and well-paired figures and tables (presented in both technical and nontechnical fashion), Bureaucratic Dynamics uses principal-agent theory to explain how the public policy system works.
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In the summer of 2008, exactly forty years after French student activists took to the streets with their rallying cry of "Under the pavement, the beach!" a new vision of liberation took shape in the courtyard of MoMA's P.S.1. Designed and built by WORK Architecture Company in 2008 for the museum's Young Architects Program, the installation Public Farm 1 (PF1) consisted of a large cluster of cardboard tubes topped with more than four dozen species of plants and vegetables. Conceived as a medium for educating citizens about sustainable urban farming techniques, the fully functioning, produce-growing design emphasized local intervention over mass production and pointed the way toward a more hol...
Transitional Urology is designed to fill a critical gap that exists in the published literature by comprehensively addressing the urological challenges facing adolescents and adults with complex congenital anomalies of the genitourinary system. It provides a valuable resource to pediatricians and pediatric urologists facing urological management issues beyond their expertise in their aging patients as well as technical guidance to adult urologists who may have had little or no experience caring for patients with a congenital condition. This work will service as a field guide to congenitalism, providing a “how to” approach to guide the urologist using real clinical examples for the most c...
Traffic was the most enigmatic British band of their day. Formed in early 1967 by Chris Wood, Steve Winwood, Jim Capaldi and Dave Mason, they rejected the bright lights of London in favor of a run-down, supposedly haunted, cottage in the country - a place to live communally and write music. With Chris especially intent on channeling the vibes of England's landscape into their sound, days would be spent getting high, exploring, playing and working in varying proportions. Against all odds, this eccentric model paid off - songs such as "Dear Mr. Fantasy" and "John Barleycorn Must Die" would lift Traffic into the upper echelons of the rock world. As they brushed shoulders with Jimi Hendrix, The ...
The bestselling author of The One-in-a-Million Boy has crafted a story collection that “illuminates the grace in the average and everyday” of a small town (San Francisco Chronicle). In ten interlinking stories, the town of Abbot Falls reacts as Ernie Whitten, pipefitter, builds a giant ark in his backyard. Ernie was weeks away from a pension-secured retirement when the union went on strike. Now his wife Marie is ill. Struck with sudden inspiration, Ernie builds the ark as a work of art for his wife to see from the window; a vessel to carry them both away; or a plea for God to spare Marie, come hell or high water. As the ark takes shape, the rest of the town carries on. There’s Dan Litt...