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Don't Call Us Dead
*WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2018* *A Finalist for the National Book Award for Poetry 2017* *A Financial Times and Telegraph Book of the Year 2018* ‘[Smith’s] poems are enriched to the point of volatility, but they pay out, often, in sudden joy’ The New Yorker Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality – the dangers experienced in skin and body and blood – and an HIV-positive diagnosis. ‘Some of us are killed / in pieces,’ Smith writes, ‘some of us all at once.’ Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.
Insert Boy
Black -- Papa's lil' -- Ruined -- Rent -- Lover -- Again.
Homie
'A deeply personal collection... and provocative and moving meditation on friendship, sex and blackness,' Guardian 'In its cutting compassion, Homie is as much a celebration of loved ones' lives as it is a lament for their loss, equally a war cry for kinship and the burial dirge after the battle' Amanda Gorman A mighty anthem about the saving grace of friendship, Danez Smith's highly anticipated collection Homie is rooted in their search for joy and intimacy in a time where both are scarce. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family - blood and chosen - arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is written for friends: for Danez's friends, for yours. 'This is a book full of the turbulence of thought and desire, piloted by a writer who never loses their way' New York Times
Black Movie
2014 Button Poetry Prize Winner "These harrowing poems make montage, make mirrors, make elegiac biopic, make 'a dope ass trailer with a hundred black children / smiling into the camera & the last shot is the wide mouth of a pistol.' That's no spoiler alert, but rather, Smith's way–saying & laying it beautifully bare. A way of desensitizing the reader from his own defenses each time this long, black movie repeats."–Marcus Wicker "Danez Smith's BLACK MOVIE is a cinematic tour-de-force that lets poetry vie with film for the honor of which medium can most effectively articulate the experience of Black America."–Rain Taxi
Paul Takes the Form of A Mortal Girl
'Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting - and one of the most fun - novels of the decade.' Garth Greenwell It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a lesbian best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco – a journey through the deep queer archives of struggle and pleasure. Andrea Lawlor’s debut novel offers a speculative history of early 90s identity politics during the heyday of ACT UP and Queer Nation. Paul Takes the Form of A Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections. 'Playful, sexy, smart, and like nothing else I -or you - have ever read before.' Carmen Maria Machado
Poetry Unbound
This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more.
Throwing the Crown
Saenz's debut collection honestly examines the vulnerability of growing up in a neighborhood punctured by gang culture and hyper-masculinity.
Door in the Mountain: New and Collected Poems, 1965-2003
This National Book Award–winning volume presents nearly forty years of the renowned poet’s work. Between 1965 and 2003, Jean Valentine published nine critically acclaimed collections of poetry, including Dream Barker(winner of the Yale Younger Poets Award), Ordinary Things, and The River at Wolf. Spare and intensely-felt, Valentine’s poems present experience as only imperfectly graspable. This volume gathers together all of Valentine's published poems, presenting them alongside a stunning new collection. Valentine’s poetry is as recognizable as the slant truth of a dream. She is a brave, unshirking poet who speaks with fire on the great subjects―love, and death, and the soul. Her images―strange, canny visions of the unknown self―clang with the authenticity of real experience. This is an urgent art that wants to heal what it touches, a poetry that wants to tell, intimately, the whole life.
The Galleons
“A very American book, and an important one for our time.” —CATE MARVIN
Black Queer Hoe
From an award-winning and “stunningly talented” writer, reflections on the line between sexual freedom and sexual exploitation (Samantha Irby, New York Times–bestselling author of We Are Never Meeting in Real Life). Women’s sexuality is often used as a weapon against them. In this refreshing, unapologetic debut, award-winning performance poet and playwright Britteney Black Rose Kapri lends her unmistakable voice to fraught questions of identity, sexuality, reclamation, and power in a world that refuses black queer women permission to define their own lives and boundaries. Black Queer Hoe is a powerful intervention into important and ongoing conversations. “In a debut crackling with energy, honesty, and wit, Kapri moves to reclaim elements of language surrounding women’s sexuality, especially that of black women . . . Kapri assails the ways social norms are routinely used to blame girls and women for the moral failures of boys and men. Embracing the intimacy of a confessional and the sting of a viral tweet, Kapri unabashedly celebrates the various facets of her self and refuses to serve as anyone’s martyr.” —Publishers Weekly
