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A collection of essays, bringing science fiction cinema into the ambit of film and cultural theory.
These models begin with analogies to the theater as arena of accepted illusion and dramatic characters as types of imposters. Political processes then come into sharper focus as the leader serves as delegate for a host of popular wishes, fears, and agendas that extend into the unconscious and comprise a group-fantasy. Group-fantasy not only empowers the delegate, but also defines and occasionally destroys this chosen figure as well.
The'I' in the title pertains to the core of self that persists over time. These are challenges that elude people like social scientists, philosophers, or critics of literature and the arts, who would chronicle or explain humanity's doings. This informative, engaging, and joyous book by Norman N. Holland offers a usable model for the aesthetics, psychology, history, and science of the human subject.Holland begins by modeling the self as a theme and variations, constant yet constantly changing. He shows how symbolization, perception, cognition, and memory all contribute to the sense of I, hence how any one I grows out of a specific history and culture but also out of experiences all humans sha...
In eight close readings of texts from the 19th and 20th centuries, provides a broad overview of relational concepts and theories of applying psychoanalytic perspectives to the understanding of literature in particular and aesthetics in general. Annotation copyright by Book News, Inc., Portland, OR
Mrs. Lane is a descendant of the author of the "Star Spangled Banner," Francis Scott Key. Her book traces Key's ancestry back to the American immigrant, Philip Key of London, who settled in St. Mary's County, Maryland in 1720, and forward to a number of Key lines in the U.S. of her own era.
Routledge Library Editions: Women and Politics (9 Volume set) presents titles, originally published between 1981 and 1993. The set draws attention to the importance of women and how their presence and active involvement, in politics and related fields, during the twentieth century has been crucial throughout the world.
The early conclusion that Shaw was mainly a magpie following the trails of many thinkers has led to the further consequence of neglecting Shaw's relationship to other playwrights. This volume of SHAW explores Shaw's plays as inheritances and inspirations of dramatic art and also locates Shaw himself as a presence in the work of his contemporaries and successors. The volume concentrates on Shaw in relation to other modern British playwrights, notably Wilde, Bennett, Rattigan, the Court Theatre playwrights, and Shaw's successors from Coward to Stoppard. Gwyn Thomas's 1975 BBC play, The Ghost of Adelphi Terrace, puts Shaw and Barrie together on stage, and Shaw's 20 June 1937 Sunday Graphic obit...
Alien Zone II presents some of the exciting new voices in the current debates. It continues to pursue the critical and theoretical issues opened up in the earlier book and energetically explores fresh territory.
In a sensitive and provocative study of six great works of British literature, David Rosen traces the evolution of masculinity, inviting readers to contemplate the shifting joys and sorrows men have experienced throughout the last millennium, and the changing but constant tensions between their lives and ideals. Focusing on Beowulf, Sir Gawain and the Green Knight, Hamlet, Paradise Lost, Hard Times, and Sons and Lovers, Rosen shows how the actions of heroes fail to resolve tensions between masculine ideals and male experiences.
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.