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Multilingual Subjects
  • Language: en
  • Pages: 345

Multilingual Subjects

In the eighteenth century, the British Empire pursued its commercial ambitions across the globe, greatly expanding its colonial presence and, with it, the reach of the English language. During this era, a standard form of English was taught in the British provinces just as it was increasingly exported from the British Isles to colonial outposts in North America, the Caribbean, South Asia, Oceania, and West Africa. Under these conditions, a monolingual politics of Standard English came to obscure other forms of multilingual and dialect writing, forms of writing that were made to appear as inferior, provincial, or foreign oddities. Daniel DeWispelare's Multilingual Subjects at once documents h...

Multilingual Subjects
  • Language: en
  • Pages: 344

Multilingual Subjects

Daniel DeWispelare documents how many varieties of English became sidelined as "dialects" as Standard English became dominant throughout an ever-expanding English-speaking world, while asserting the importance of both multilingualism and dialect writing to eighteenth-century anglophone culture.

Vernacular English
  • Language: en
  • Pages: 232

Vernacular English

"After India's Partition and independence in 1947, "cleansing" Hindi by removing Urdu words was part of the nation's effort to disavow Islamic influence and to forge an exclusively Hindu "Indian" identity. Sanskritized Hindi was anointed the official language of India in 1950, a move protested by non-Hindi-speaking people; in 1963, lawmakers responded to these protests by making English an associate official language. Itself a language steeped in a history of colonial violence, English nevertheless was chosen to mend the gaps created by the imposition of Hindi and to uphold the ideal of democracy. This book considers English as part of the multilingual local milieu of India (a country where ...

The Oxford Handbook of British Romantic Prose
  • Language: en
  • Pages: 993

The Oxford Handbook of British Romantic Prose

The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, con...

Strange Vernaculars
  • Language: en
  • Pages: 348

Strange Vernaculars

"While eighteenth-century efforts to standardize the English language have long been studied--from Samuel Johnson's 'Dictionary' to grammar and elocution books of the period--less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. 'Strange Vernaculars' delves into how these published works presented the supposed lexicons of the 'common people' and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries--from 'The New Canting Dictionary' to Francis Grose's 'Classical Dictionary of the Vulgar Tongue'--and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others"--Front jacket flap.

Romanticism, Self-Canonization, and the Business of Poetry
  • Language: en
  • Pages: 331

Romanticism, Self-Canonization, and the Business of Poetry

Michael Gamer explodes the myth of the unworldly Romantic poet, showing writers' interest in public presence, and profit and loss.

Reading These United States
  • Language: en
  • Pages: 314

Reading These United States

Reading These United States explores the relationship between early American literature and federalism in the early decades of the republic. As a federal republic, the United States constituted an unusual model of national unity, defined by the representation of its variety rather than its similarities. Taking the federal structure of the nation as a foundational point, Keri Holt examines how popular print—including almanacs, magazines, satires, novels, and captivity narratives—encouraged citizens to recognize and accept the United States as a union of differences. Challenging the prevailing view that early American print culture drew citizens together by establishing common bonds of lan...

The Soul of Pleasure
  • Language: en
  • Pages: 308

The Soul of Pleasure

Show business is today so essential to American culture it's hard to imagine a time when it was marginal. But as David Monod demonstrates, the appetite for amusements outside the home was not "natural": it developed slowly over the course of the nineteenth century. The Soul of Pleasure offers a new interpretation of how the taste for entertainment was cultivated. Monod focuses on the shifting connection between the people who built successful popular entertainments and the public who consumed them. Show people discovered that they had to adapt entertainment to the moral outlook of Americans, which they did by appealing to sentiment.The Soul of Pleasure explores several controversial forms of...

Estranging the Novel
  • Language: en
  • Pages: 197

Estranging the Novel

  • Type: Book
  • -
  • Published: 2021-08-03
  • -
  • Publisher: JHU Press

"The author's comparative approach to studying literary form makes a forceful case for a more geographically and formally expansive vision of the novel"--

Forms of Empire
  • Language: en
  • Pages: 325

Forms of Empire

Nathan K. Hensley shows how the modern state's anguished relationship to violence pushed literary writers of the Victorian era to expand the capacities of literary form. He explores the works of some of the era's most astute thinkers, including George Eliot, Charles Dickens, and Robert Louis Stevenson.