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Factions' Fictions
An understanding of the linguistic, political, and moral ramifications of Private Spirit (the parochialism and partiality typical of clubs, parties, and cabals) provides insights into the logic behind Swiftian polemic and satire. Swiftian satire, an essentially private joke offering exclusive satisfaction to an elite fraternity of insiders, is shown to be a creative rhetorical adaption of private spirit.
Satire and the Postcolonial Novel
Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric."
Literature and Cultural Memory
Cultural Memory, a subtle and comprehensive process of identity formation, promotion and transmission, is considered as a set of symbolic practices and protocols, with particular emphasis on repositories of memory and the institutionalized forms in which they are embodied. High and low culture as texts embedded in the texture of memory, as well as material culture as a communal receptacle and reservoir of memory are analysed in their historical contingency. Symbolic representations of accepted and counter history/ies, and the cultural nodes and mechanisms of the cultural imaginary are also issues of central interest. Twenty-six contributions tackle these topics from a theoretical and histori...
Gulliver's Travels
IGulliver's Travels purports to be a travel book, and describes the shipwrecked Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consumately skilful blend of fantasy and realism makes Gulliver's Travels by turns hilarious, frightening, and profound. This new edition includes the changing frontispiece portraits of Gulliver that appeared in successive early editions. - ;'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.' In these words Gulliver represents himself as a reliable re...
Infinite Variety
Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention. Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Liter...
Can “The Whole World” Be Wrong?
Landes, a medievalist and historian of apocalyptic movements, takes us through the first years of the third millennium (2000-2003), documenting how a radical inability of Westerners to understand the medieval mentality that drove Global Jihad prompted a series of disastrous misinterpretations and misguided reactions that have shaped our so-far unhappy century. These misinterpretations in 2000, 2001, 2002, and 2005, contributed fundamentally to the ever-worsening moral and empirical disorientations of our information elites (journalists, academics, pundits). So while journalists reported Palestinian war propaganda as news (lethal journalism), they were also reporting Jihadi war propaganda as news (own-goal war journalism). These radical disorientations have created our current dilemma of pervasive information distrust, deep splits within the voting public in most democracies, the politicization of science, and the inability of Western elites to defend their civilization, and instead, to stand down before an invasion.
Freud's Couch, Scott's Buttocks, Brontë's Grave
The Victorian era was the high point of literary tourism. Writers such as Charles Dickens, George Eliot, and Sir Walter Scott became celebrities, and readers trekked far and wide for a glimpse of the places where their heroes wrote and thought, walked and talked. Even Shakespeare was roped in, as Victorian entrepreneurs transformed quiet Stratford-upon-Avon into a combination shrine and tourist trap. Stratford continues to lure the tourists today, as do many other sites of literary pilgrimage throughout Britain. And our modern age could have no better guide to such places than Simon Goldhill. In Freud's Couch, Scott’s Buttocks, Brontë's Grave, Goldhill makes a pilgrimage to Sir Walter Sco...
Swift's Politics
A contextual reassessment of Swift's political writing concentrating on A Tale of a Tub and Gulliver's Travels.
Gulliver's Travels
Gulliver's Travels explores the human need to create order out of chaos through an internal system of knowledge that affirms the subjective self. In this study, I examine how Gulliver integrates elements of knowledge from the native and the host-societies into an operative system of self-knowledge. Gulliver's self-knowledge threatens the status quo within these societies by placing him at the solipsistic center of the narrative, orchestrating his observations to maintain the subjective self. If Gulliver was successfully indoctrinated in England, then why does he exhibit such an imperfect understanding of the complexities that define the principles which shaped Western society? Furthermore, if Gulliver is brainwashed by his hosts, then by what authority does he continually transgress the rules of law that govern their societies? Specifically, why does he knowingly commit acts of disobedience and heresy if he has been successfully indoctrinated into their social systems? My study concludes Gulliver's empirical search for an answer to the question Who am I? fails because he is unable to harmonize subjective truths within the objective world.
Jonathan Swift
This collection of critical thinking situates the satire of Jonathan Swift within both its eighteenth-century contexts and our modern anxieties about personal identity and communication. Augustan satire at its most provocative is not simply concerned with the public matters of politics or religion, but also offers a precise medium in which to express the paradox of ironic detachment amidst deep conviction. The critics chosen for this volume demonstrate the complexity of Swift's work. Its four sections explore matters of authorial identity, the relation between Swift's writing and its historical context, the full range of his comments on gender, and his deployment of metaphor and irony to eng...
