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Twentieth-Century Multiplicity explores the effect of the culture-wide sense that prevailing syntheses failed to account fully for the complexities of modern life. As Daniel H. Borus documents the belief that there were many truths, many beauties, and many values—a condition that the historian Henry Adams labeled multiplicity—rather than singular ones prompted new departures in a myriad of discourses and practices ranging from comic strips to politics to sociology. The new emphasis on contingency and context prompted Americans to rethink what counted as truth and beauty, how the self was constituted and societies cohered and functioned. The challenge to absolutes and universals, Borus shows, gave rise to a culture in which standards were not always firm and fixed and previously accepted hierarchies were not always valid. Although itself strenuously challenged, especially during the First World War, early twentieth-century multiplicity bequeathed to American cultural life an abiding sense of the complexity and diversity of things.
This book examines the relationship between the writings of Henry James and the historical formation of mass culture. Throughout his career, James was concerned with such characteristically modern cultural forms as advertising, biography and the New Journalism, forms which together constituted the 'devouring publicity' of modern life. Richard Salmon's study situates James's fiction and criticism within the context of the contemporary debates surrounding these rival discursive practices. He explores both the nature of James's contribution to the critique of mass culture and the extent of his immersion within it. James's persistent and ambivalent negotiation of the boundaries between private and public experience ranged from a defence of the artist's right to privacy, to his own counter-practice of publicity.
Focusing on the political culture forged by Rocky Mountain workers from the 1870s through the 1920s, this book shows how the unique working-class politics of the region led to remarkable successes in securing progressive labor legislation. These successes--especially in improving workers' hours, wages, and safety--in turn played a central role in transforming the nation's attitudes toward workers' rights. Examining political culture in the everyday lives of workers (from shop floors to union halls to recreation), the author uncovers a labor movement based as much on pragmatism as on ideology, and he traces how its members productively focused their efforts on political action at the local and state levels. In the process, they developed a genuinely social-democratic political culture.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
"Comparative study of Henry James's and William Dean Howells's literary criticism. Examines the interrelationship between the men, emphasizing their aesthetic concerns and attitudes toward the market and audience, and their beliefs concerning the moral value of fiction and the United States as a literary subject, and writings about each other"--Provided by publisher.
Providing the first historical study of New Deal public works programs and their role in transforming the American economy, landscape, and political system during the twentieth century. Reconstructing the story of how reformers used public authority to reshape the nation, Jason Scott Smith argues that the New Deal produced a revolution in state-sponsored economic development. The scale and scope of this dramatic federal investment in infrastructure laid crucial foundations - sometimes literally - for postwar growth, presaging the national highways and the military-industrial complex. This impressive and exhaustively researched analysis underscores the importance of the New Deal in comprehending political and economic change in modern America by placing political economy at the center of the 'new political history'. Drawing on a remarkable range of sources, Smith provides a groundbreaking reinterpretation of the relationship between the New Deal's welfare state and American liberalism.
In The Roots of Democracy Robert E. Shalhope traces the dramatic shifts in attitudes and behavior from before the Revolution, through the war itself, and then on to the confederation period, the creation of republican governments, the making of the Constitution and the conflicts of the 1790s.
In this comprehensive and insightful reinterpretation of antebellum culture, Anne C. Rose analyzes the major shifts in intellectual life that occurred between 1830 and 1860 while exploring three sets of concepts that provided common languages-Christianity, democracy, capitalism. Whereas many interpretations of American culture in this period have emphasized a single theme or have been preoccupied with the ensuing Civil War, Rose considers sharply divergent tendencies in religion and politics and a wide range of reformers, authors, and other public figures.
This brief history connects the past and present of utopian thought, from the first utopias in ancient Greece, right up to present day visions of cyberspace communities and paradise. Explores the purpose of utopias, what they reveal about the societies who conceive them, and how utopias have changed over the centuries Unique in including both non-Western and Western visions of utopia Explores the many forms utopias have taken – prophecies and oratory, writings, political movements, world's fairs, physical communities – and also discusses high-tech and cyberspace visions for the first time The first book to analyze the implicitly utopian dimensions of reform crusades like Technocracy of the 1930s and Modernization Theory of the 1950s, and the laptop classroom initiatives of recent years
During the 1970s, the United States became the world's preeminent postindustrial society. The new conditions changed the way Americans lived and worked, and even their perceptions of reality. Americans struggled to find their place in a world where symbol became more important than fact, appearance more important than reality, where image supplanted essence. In this reassessment of a little studied decade, J. David Hoeveler, Jr., finds that the sense of detachment and dislocation that characterizes the postindustrial society serves as a paradigm for American thought and culture in the 1970s. The book examines major developments in literary theory, philosophy, architecture, and painting as expressions of a 1970s consciousness. Hoeveler also explores the rival "political" readings of these subjects and considers the postmodernist phenomenon as it became an ideological battleground in the decade. Clear and engaging, the work will be of great interest to historians, theorists, and everyone who wants to further explore the 1970s.