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Semitisms in Luke's Greek
The Gospel of Luke has long been known for its variation between good, educated Greek and Semitic influences. In the last century, five theories have attempted to explain the Semitic influence: Semitic sources; imitation of the Greek Bible; the Greek of the ancient synagogue; literary code-switching between standard Greek and semitized Greek; and the social background of bilingualism. Albert Hogeterp and Adelbert Denaux revisit Luke's Greek and evaluate which alleged Semitisms of vocabulary and syntax are tenable in light of comparative investigation across corpora of Greek, Hebrew, and Aramaic, literary as well as documentary, texts. They contend that Semitisms in Luke's Greek are only fully understood in light of a complementarity of linguistic backgrounds, and evaluate them in diachronic respect of Synoptic comparison and in synchronic respect of their place in Luke's narrative style and communicative strategy.
Non-Semitic Loanwords in the Hebrew Bible
Ancient Palestine served as a land bridge between the continents of Asia, Africa, and Europe, and as a result, the ancient Israelites frequently interacted with speakers of non-Semitic languages, including Egyptian, Greek, Hittite and Luwian, Hurrian, Old Indic, and Old Iranian. This linguistic contact led the ancient Israelites to adopt non-Semitic words, many of which appear in the Hebrew Bible. Benjamin J. Noonan explores this process in Non-Semitic Loanwords in the Hebrew Bible, which presents a comprehensive, up-to-date, and linguistically informed analysis of the Hebrew Bible’s non-Semitic terminology. In this volume, Noonan identifies all the Hebrew Bible’s foreign loanwords and p...
Dante's Divine Comedy
The first of its kind, this guide enables readers to get as close as possible to the words of Dante's Comedy. Opening up interpretative possibilities that only become available through reading the poem in its original form, it equips students with an enjoyable and accessible grammatical introduction to the language of early Italian. Including a series of passages drawn from Inferno, Purgatorio and Paradiso, the text is accompanied by a detailed glossary, followed by a commentary which pays particular attention to matters of language and style. Further reading and study questions are provided at the end of each section, prompting new and fresh ways of engaging with the text. Readers will discover how, by listening to Dante in his own words, one may newly and more fully appreciate the breathtaking beauty of the Comedy.
Studies in Southeast Asian Art
Maritime travelers and tillers of the soil: reading the landscape(s) of Batur / Kaja McGowan -- More than a picture: the instrumental quality of the shadow puppet / Jan Mrz̀ek -- Modern Indonesian ceramic art / Hilda Soemantri -- Memories of a ceramic expert / Barbara Harrisson -- Lucia Hartini, Javanese painter: against the grain, towards herself / Astri Wright -- In the image of the king: two photographs from nineteenth-century Siam / Caverlee Cary -- Whose art are we studying? writing Vietnamese art history from colonialism to the present / Nora A. Taylor -- Telling lives: narrative allegory on a Burmese silver bowl / Robert S. Wicks -- Development of Buddhist traditions in peninsular Thailand: a study based on votive tablets (seventh to eleventh centuries) / M.L. Pattaratorn Chirapravati -- Chinese ceramics and local cultural statements in fourteenth-century southeast Asia / John N. Miksic -- Buddhism and the Pre-Islamic archaeology of Kutei in the Mahakam Valley of east Kalimantan / E. Edwards McKinnon.
Official Register
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Humanities Index
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The Pratt Directory
Arranged alphabetically by given name and includes biographical information.
Thinking with the Yoga Sutra of Patañjali
This book presents contemporary scholarship on the Yoga Sūtra. It revisits Patañjali’s philosophy by bringing it into dialogue with contemporary concerns across a variety of topics and perspectives. Questions regarding the role of the body in the practice of classical yoga, the debate between the realistic or idealistic interpretation of the text, the relation between Yoga and other Indian philosophical schools, the use of imagination in the pursuit of self-knowledge, the interplay between consciousness and nature, the possibilities and limitations of using it as a therapeutic philosophy, the science of meditation, and overcoming our fear of death probe the many dimensions that this text continues to offer for thought and reflection.
